Adapted from Freida McFadden’s BookTok sensation and starring two of Hollywood’s most in-demand blonde actresses in Sydney Sweeney and Amanda Seyfried (both of whom also…
2025 is the year of the teeter-totter. We teeter on the first half of the decade, defined by death and the uninhibited embrace of a…
We’re back on Pandora, which according to multiple credible reports, still ain’t Kansas. 2022’s The Way of Water proved that James Cameron’s richly imagined and…
Now three movies and seven years into his career as a filmmaker, the Philly transplant/West Village resident Bradley Cooper has featured a singer, a composer,…
“The voices on the phone are real.” So states the caption that appears on screen early in Kaouther Ben Hania’s The Voice of Hind Rajab,…
Filmmakers as confident and as distinctive as Bi Gan are rarely as young as he. At just 36 years of age, he’s directed four short…
It feels like many horror films in recent years begin and end in the pitch meeting. A kooky premise is introduced, funding is secured, and…
One of the quirks of Lisa Jorgenson (Reese Witherspoon) in James L. Brooks’ 2010 film How Do You Know is a tendency to speak in…
The Old Man and His Car There is a good deal of sentimental value, both real and inflated, in Michael Kam’s The Old Man and…
Pedro Lemebel, the writer who chronicled Chilean queer life throughout the fall of the Pinochet regime, the rise of democracy, and the AIDS epidemic, proclaimed…
Having propelled himself to cinephilic fame with the mesmerizing Kaili Blues (2015) and, more recently, an audaciously mind-bending interpretation of dreams in 2018’s Long Day’s…
When you’re tucked into a cozy nook and crack open a whodunit, you know what to expect. The dead body in a locked room. The…
A life’s linearity is only a biproduct of meticulously constructed narrative. In hindsight, things seem straightforward: clinging to your older sister’s pantlegs, you survive a…
There’s an overly edited, scored, and produced version of Sam Abbas’ Europe’s New Faces that would have taken the ongoing awards season by storm. Its…
Poverty and opulence, the pastoral and the high-tech, war and peace, childhood and adulthood. Opposite ends of a variety of spectrums meet, and sometimes clash,…
The Viennale and the Austrian Film Museum’s joint Jean Epstein retrospective makes a simple case: with Epstein, the sea edits. It splices, stretches, and scours…
Polish director Agnieszka Holland’s last film, 2023’s Green Border, was a fact-based drama about migrants who were lured to Belarus by false promises of asylum,…
November Reviews Week of November 2 Streaming Scene Frankenstein — Guillermo del Toro November 2, 2025 by Ethan J. Rosenberg Read Review Spotlight Die My…
Of film history’s lost White Whales — the complete Magnificent Ambersons, for example, or The Day the Clown Cried — the eventual release of The…
Michael Showalter, in the past decade, has parlayed his success as a comedic writer and performer into a career as a writer-director of audience-pleasing dramedies…
Married directorial pair Hélène Cattet and Bruno Forzani have consistently risked being hit by the type of criticism that considers “postmodernism” a dirty word. Many…