Perhaps setting itself up as a corrective to the rest of the DC comics films, which are apparently perceived to be overly dark and serious,…
Stanley Kubrick’s final film is one of the least-sexy films ever made about sex. Libidinous, yes, and full of naked bodies in salacious motion, engaging…
A Perfect World’s title is contradictory, born from a phrase that implies that life will never really amount to what we want it to — but…
Imagine a script development meeting where everyone involved in making Aquaman sat down to solve one all-important question: “How do we make Aquaman cool?” Now imagine…
Here’s a movie about Jason Statham fighting a gigantic killer prehistoric shark. That’s all it is. The Meg spends not much time setting up its premise…
Now that the dust has settled and the hype machine has moved on to newer, bigger spectacles, let’s examine the reception of Steven Spielberg’s Ready…
What’s the use of rebooting a successful video game franchise if you can’t reboot the mediocre film series that it spawned? That appears to be the motivation…
It’s worth remembering that, at the time of its 1982 initial release, nobody really knew what to make of, or much cared for, Blade Runner. Ridley…
The Harry Potter franchise officially becomes an Expanded Cinematic Universe with Fantastic Beasts and Where to Find Them, the first in what Warner Bros. promises…
Late in Eastwood’s chronicle of Captain Chesley “Sully” Sullenberger’s emergency water landing of US Air 1549 (dubbed the “Miracle on the Hudson”)—and the investigation that…
It takes almost 30 minutes to introduce most (somehow still not all) of the major characters in David Ayer’s DC Comics adaptation Suicide Squad. A couple even get introduced…
With Lethal Weapon, almost thirty years ago now, Shane Black practically invented the mismatched buddy formula that’s stood ever since. He infused the oblique conspiracies…
As in his own Take Shelter and Mud, director Jeff Nichols’s Midnight Special laces a story of filial and marital angst with sudden violence and off-kilter genre trappings, creating,…
Eighteen months after the leveling of Metropolis at the conclusion of 2013’s Man of Steel, the world must come to grips with Superman (Henry Cavill),…
Ryan Coogler’s Rocky spin-off Creed begins, evocatively, in a juvenile corrections facility. A handsomely framed shot depicts a line of African-American boys filing through a…
You actually get two movies in In the Heart of the Sea. One is a reasonably tight seafaring adventure yarn based on the true story…
Director Scott Cooper has a knack for casting up unremarkable films with great performers and turning them loose, depending on them to transcend otherwise unremarkable material. Crazy Heart had…
The Man from U.N.C.L.E. doesn’t have much to do with its 50-year-old TV source material beyond the basic skeleton of its premise: two secret agents, one…
By the time of Mad Max Beyond Thunderdome, the third entry in George Miller’s original scorched-Earth trilogy, society had begun to rebuild itself, but the post-apocalypse capitalism…
Jaume Collet-Serra’s last two films, Unknown and Non-Stop, were both now-patented Liam Neeson thrillers and Hitchcock-ian wrong man transmissions. In the former, Collet-Serra’s patient, often static camera infused…
The Wachowskis have been formal innovators from the start, building a pulley system to show a body falling dead or breakaway sets to stage an elaborately…