Yeo Siew Hua’s A Land Imagined is a strange beast, beginning as a straightforward, noir-inflected procedural before gradually giving way to a strange, dreamlike reverie, as…
YouTube has made it easier than ever to disseminate the solipsistic musings of just about anybody — as we all have a tendency to willingly…
Other than as blatant studio IP management, there is no real reason for this Hellboy to exist. Some executive realized, hey, we have a superhero…
It’s really not clear why Oscar-winning actress Brie Larson would want to cash-in her awards clout on a hopelessly muddled slog like Unicorn Store. Filmed ages…
Khalik Allah’s new essayistic documentary Black Mother is a deeply moving work of humanistic empathy, intertwining the personal and the political into an aesthetic that attempts…
Christian Petzold is one of our great contemporary dramatists, taking the building blocks of melodrama and draining them of artificiality; he’s a kind of quotidian,…
Acclaimed film critic and programmer Kent Jones follows up 2015 documentary Hitchcock/Truffaut with his first fiction film as writer/director, yielding decidedly uneven results. Diane is a fairly…
Sometimes the determination between an actor’s successful and unsuccessful work comes down to context, like the ensemble of actors surrounding them, and sometimes it’s about the…
The Dirt is a terrible movie. Adapted from Mötley Crüe’s group-authored autobiography of the same name, Jeff Tremaine’s film is This Is Spinal Tap without the self-aware irony,…
Released in 1967, Arthur Penn’s Bonnie & Clyde was the New Hollywood urtext: young, sexy, fast, and violent. It’s impossible to view The Highwaymen as anything but a…
Director Mark Jenkin’s Bait is a fascinating curiosity. As a drama, it’s fairly basic, but also mostly effective: Martin & Steven Ward (Edward Rowe &…
There’s a fine line between the absurd and the transcendent, and Tim Sutton’s Donnybrook crosses it with ludicrous abandon. Jarhead Earl (Jamie Bell) is a…
We’re a long ways away from when directors like Allan Dwan and Joseph H. Lewis could pack an absurd amount of plot into 70-minute features;…
In Alex Lehmann’s Paddleton, Mark Duplass and Ray Romano play Michael and Andy, a couple of sadsack, socially awkward, loser neighbors who have struck up…
Dan Gilroy has birthed one of the worst movies of the year, a hapless art world satire that gives way to an inept horror film:…
If there is such a thing as the ‘banality of evil,’ surely Ashin Wirathu is a poster boy for it. An unassuming looking man with…
Through its ongoing effort to inundate viewers with as much content as possible, Netflix presents Revenger, a mostly boring action movie starring Bruce Khan, a stunt man and former Jackie…
The first shot is a marvel — a quiet, lovely reverie that ends with a punch to the gut. As a young couple walk hand in…
For Orson Welles aficionados, the director’s incomplete films have long been viewed as a kind of elusive dream — a parallel body of work to…
Outlaw King cribs elements from every other medieval epic you’ve seen before — and that pandering is probably the point. It’s safe to assume that Netflix is backing this film…