Within every poorly constructed jape, at the center of every cringe-inducing bit, lies the art of the dick joke. For the foul-mouthed comics who enjoy…
Real-life subtext melds effortlessly with easy, endearing comedy in Panah Panahi’s Hit the Road. Sam Levinson, Jaden Smith, Jake Gyllenhaal, Maya Hawke, and Bryce Dallas Howard:…
There’s plenty of aesthetic polish to Futura, but it’s largely mitigated by the bland, reductive didacticism at its aging core. “How do you do, fellow…
Lorenzo Vigas’s The Box opens with a monotonous thump: the rhythmic sound of a shoe beating against the stained stall of a moving lavatory introduces…
No Man of God works surprisingly well for a while, but fails to stick its schlocky landing. On the day before the official premiere of…
Roadrunner doesn’t revolutionize the portrait documentary, but it does execute its essential elements with pathos and formal precision. The late culinary connoisseur Anthony Bourdain once…
Reminiscent of Mohammad Rasoulof’s There Is No Evil — another Berlinale competition title that aptly took to task Iran’s capital punishment apparatus — The Ballad…
The oner is one of the most divisive visual gambits in cinema, so the logical question is what makes for a successful execution of this…
Currently on display in all of its titanic glory at the Louvre, Théodore Géricault’s The Raft of the Medusa is a peculiar masterwork. Depicting one…
Celebrity culture is a cursed behemoth of cringe-inducing endorsement. With each successive year, time’s cyclicism is once again proven amid an abundance of needless drama…