Do Not Expect Too Much From the End of the World To the uninitiated, written descriptions of Radu Jude’s cinema might give the wrong impression…
Red Rooms In 2002, Olivier Assayas’ Demonlover premiered in competition at the Cannes Film Festival to a storm of controversy, eclipsed — for better or…
Where the Devil Roams It’s difficult to parse the project of Toby Poser, John Adams, and Zelda Adams without relating it to the larger film…
We admit it, we’re gluttons for guts, gore, and genre. An antidote to the flattened, self-serious, and artistically anonymous titles that occupy coveted festival slots…
Nomad (Director’s Cut) One of the finest films of the Hong Kong New Wave, Patrick Tam’s Nomad (1982), plays at this year’s NYAFF in a…
Right under the wire, we bring to you our Top 25 Albums of 2022. It’s also the second edition of our weekly magazine, kicking off…
Changes are coming to InRO in 2023, and by that we mean today. Beginning in January, InRO will be dropping a weekly magazine, every Friday…
InRO started, as an idea, in early 2007, when it went by a slightly different name and an acronym much too corny to reproduce here.…
The Fire Within Hot on the heels of the year’s earlier release of Katia and Maurice Krafft — Fire of Love — comes Werner Herzog’s…
Wisdom Gone Wild In Wisdom Gone Wild, Rea Tajiri returns to the subject of one of her earliest and best-known works: her mother. That earlier…
Septet: The Story of Hong Kong The subtitle for Septet: The Story of Hong Kong isn’t an all that accurate reflection of the omnibus’s breadth:…
DOC NYC is back. Boasting the tagline “America’s Largest Documentary Festival,” the renown is on the tin, but it’s nonetheless always a treat to comb…
Despite what the joint juggernaut of social media and trade journals would have you believe, fall festival season encompasses more than just the triumvirate of…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or…
The Eternal Daughter “No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by…
Showing Up Despite the steady repetition of themes that define Kelly Reichardt’s filmography (alienation, class, gender, the American West), her output has remained surprisingly unpredictable…
Walk Up Walk Up is Hong Sang-soo’s trickiest film since The Day After (2017), and his most intricately structured effort since The Day He Arrives…
The New York Film Festival officially kicks off today, and as per usual, the slate reflects careful, considered programming from the team, curating a panoply…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or…
The Banshees of Inisherin They aren’t having a row — Colm (Brendan Gleeson) just doesn’t feel like talking to his best friend Pádraic (Colin Farrell)…