In the 14 years since The Incredibles, the superpowered Parr family hasn’t aged a day. This sequel picks up right where the first film left…
Solo: A Star Wars Story feeds us the origin and backstory of the galaxy’s favorite space pirate in what’s sort of a version of the opening…
Did you like the first Deadpool? Its constant allegedly clever meta-references? The look-how-edgy-this-is shock humor? The graphic violence? Deadpool 2 has more of those things,…
The opening of of A Quiet Place leaves you primed for an arthouse-inflected genre film, like something A24 would release, or that Alex Garland might direct.…
Picking up 10 years after the events of Pacific Rim, Pacific Rim: Uprising follows Jake Pentecost (John Boyega), the son of Idris Elba’s Stacker Pentecost from the first film,…
Unsane is a nifty little movie, a cheeky, intelligent thriller shot in secret on an iPhone and slipped into theaters in the space of a few months.…
What’s the use of rebooting a successful video game franchise if you can’t reboot the mediocre film series that it spawned? That appears to be the…
Madeline L’Engle’s beloved A Wrinkle In Time is, if you haven’t read it lately, short on incident and quite long on dialogue and metaphysics. L’Engle…
There’s probably a good remake to be made of 1974’s Death Wish, a seminal bit of vigilante-themed violence porn from the late, great sleaze-peddler Michael…
Annihilation practically sits up and begs to be regarded as high-minded genre cinema. But really, it’s a thuddingly literal handful of barely engaged ideas and dangling…
Black Panther arrives with a lot of fanfare; it’s sure to generate discussion about its status as a genuinely progressive piece of representation, and…
Perhaps in answer to fans who complained that The Force Awakens was just a collection of rehashed elements and nostalgia with a shiny paint job,…
Nearly every film Todd Haynes has made is a period piece, and throughout his career he has worked with production and costume designers who…
The Foreigner has the same elements as any number of generic procedurals: innocent victims are killed in a terrorist bomb blast, law enforcement officers track down…
It’s worth remembering that, at the time of its 1982 initial release, nobody really knew what to make of, or much cared for, Blade Runner.…
Violeta Ayala’s fascinating documentary Cocaine Prison doesn’t have anything particularly new to say about the failed social and criminal policies of a thoroughly unwinnable war…
In Zaida Bergroth’s Miami, the meek Anna (Sonja Kuittinen) is reunited with her estranged sister, Angela (Krista Kosonen)—a club dancer in dutch with the…
It’s difficult to argue that Darren Aronofsky’s films are poorly executed, at least on a formal level; his largely allegorical works are often manic,…