Yes, God, Yes doesn’t say anything new about oppressive evangelical traditions but is elevated thanks to Dyer’s wonderful comic performance. Yes, God, Yes will be particularly…
She Dies Tomorrow is a fever-dreamy reflection of modern existential anxieties. Rodney Ascher’s 2015 documentary The Nightmare follows multiple subjects that have experienced bouts of sleep paralysis,…
Archive is a lame rehash of half a century’s worth of sci-fi tropes. The new futuristic thriller Archive is aptly titled, as it feels like a…
Grace Glowicki shows promise with Tito, but the film is ultimately little more than a strange trifle. Grace Glowicki’s Tito is the kind of strange,…
Atom Egoyan’s latest is a self-serious dud that finds the director trying and failing to recall his once impressive weighty themes. There’s a certain level…
A Girl Missing establishes Kôji Fukada as a strong imagemaker, but the film’s weak script weighs things down. If nothing else, A Girl Missing demonstrates yet again…
Jenny Slate is a gift to the world. The Sunlit Night is not. The world does not deserve Jenny Slate, nor does The Sunlit Night, an inconsequential…
The Rental is a serviceable if predictable thriller, but immediately situates Dave as the better director of the Franco brothers. Dave Franco must have taken a…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or…
Hirokazu Kore-eda feels distinctly uninterested in his own material here, a sentiment sure to be echoed by audiences. Japanese filmmaker Hirokazu Kore-eda has consistently shown an affinity…
Taking as his subject the Japanese company Family Romance LLC, director Werner Herzog returns to offer a work widely labelled as ‘strange’ by the media that renders…
There’s a half-hour experimental short located somewhere in Cenote, one that drops the lame docu- framing device as a pretext for the gorgeous underwater footage…
Kiyoshi Kurosawa has mostly veered away from the kind of oblique horror films that made his international reputation back in the late 90s and early…
Haruhiko Arai is a four-decade veteran screenwriter and director specializing in erotic films, cutting his teeth with the legendary pink film auteur Koji Wakamatsu, and…
Labyrinth of Cinema Nobuhiko Obayashi, who passed away earlier this year, on April 10, was until recently relegated to the periphery of cinematic discussions of…
Relic is a nifty work of ambiguous horror built on the duality of destruction and creation. Relic, the debut feature from Japanese-Australian director Natalie Erika James,…
Set in the small coastal town of Oiso, Takuya Misawa’s sophomore feature is a crisp, withholding tale of pent-up aggression and toxic masculine friendship. A…
The depiction of sex work in cinema usually does one of a couple things: bears down on the eroticizing, titillating aspects, indulges in moralistic hand-wringing,…
Shinichiro Ueda’s debut feature One Cut of the Dead was a sensation both in Japan and abroad when it came out a few years ago.…
Roar begins with a vertiginously disorienting prologue, as a manic handheld camera frantically searches a room before pushing into an extreme close-up of a frightened,…