Dolan’s latest intrigues in deviating from the director’s familiar mode, but its busyness never fully distills into any cogent statement. Matthias & Maxime, the 2019…
The low-stakes Get Duked! thankfully proves to be a more spirited and memorable comedy than its godawful title suggests. It has to be said: Get…
I’m Thinking of Ending Things is a masterful and surprising adaptation from Charlie Kaufman, a work of towering humanism braced by an exquisitely disorienting aesthetic.…
The One and Only Ivan is an intentionally inclusive, surprisingly unbusy animated offering from Disney. Over the past few weeks, Disney has gone on a bit…
Boys State is an illuminating portrait of the ills of the American electoral process, but somewhat undermines its own power with idealistic platitudes. We live in…
La Llorona understands how to the tick the genre boxes but forgets to muster much in the way of actual horror. The horror genre has long…
Project Power keeps the maniac Neveldine/Taylor aesthetic alive and is another welcome Netflix foray into small-scale superhero entries. There’s a new designer drug on the streets…
Yummy is exclusively the domain of 12-year-old boys, and a hard pass for everyone else. It’s hard to imagine anyone clamoring for more zombie content these…
Beyonce’s instincts for visual panache are undermined by the studio’s clear attempt to expropriate and Disneyfy Black is King. As an act of synergy, the…
An American Pickle doesn’t aspire to much more than delivering two Rogens for the price of one. “Sweet” and “gentle” are two unlikely descriptors with which…
Taking as his subject the Japanese company Family Romance LLC, director Werner Herzog returns to offer a work widely labelled as ‘strange’ by the media that renders…
Another in an emerging subgenre of films featuring Tom Hanks in desperate situations, Greyhound is a visually clean, tactically-minded, and workmanlike effort from Aaron Schneider.…
Hamilton barely qualifies as a film, losing much of what makes it a stage success in translation, and its historical revisionism feels much murkier in…
The Old Guard navigates familiar genre terrain but with enough punch to put the hetero white male actioner ethos on notice. Every big-budget action flick…
Ever since H.G. Wells unleashed The Time Machine upon the world in 1895, artists have used the conceit to impart important life lessons, waxing broadly…
There is more than a bit of irony to be found in the fact that the new Will Ferrell/Netflix comedy Eurovision Song Contest: The Story…
Olivier Assayas produced a stunningly idiosyncratic series of works in the 2010s, even by his typically eclectic standards. From the mammoth Carlos to the autobiographical Something in…
Spike Lee’s newest joint, Da 5 Bloods, makes perfectly clear its influences when, within the first five minutes, the camera pans out from a giant…
Describing Sofia Behrs Tolstaya, a diarist and photographer who remains better known as the wife of Leo Tolstoy, Elizabeth Hardwick wrote: “With her mangled intelligence,…
The Vast of Night opens with an assured and prefatory walk-and-talk, an extended tracking shot that first follows first Everett (Jake Horowitz), a local radio show…