In the history of metal music, there are perhaps no other records met with as much variance of opinion as Metallica’s 1991 self-titled album, which…
F*ck Love 3 proves The Kid LAROI is still just as basic as he seems, seeking celebrity and fleeting pop trifles at the expense of artistic…
An umotivated album that never sparks to life, Vince Staples continues the rapper’s post-Big Fish Theory downward slide. When Big Fish Theory dropped in 2017, it…
Exit Wounds proves more rollicking that Dylan’s more introspective solo work, not a full success but still a testament to the easy pleasures of his roots-rock…
Hideaway is simply more of the same for Wavves, a band that feels past their expiration date. So great was the thirst for music festival-friendly indie…
Fresh off re-upping their current record contract, AKMU delivers an EP in Next Episode that marks a career milestone. Although they’re under the K-pop umbrella, sibling…
The Kid LAROI The story of The Kid LAROI thus far, for those not in the know (which, to be fair, would be the majority…
If EST Gee’s latest mixtape can sometimes feel a bit too hubristic, it’s still a swaggy invitation to get in the know before it’s too late.…
“You know where you are? You’re in the jungle, baby! You’re gonna dieeeeahhhh!” Axl Rose’s banshee wail, keening forth from the bridge of “Welcome to…
Prince’s body of work is, of course, one of the broadest and slipperiest in the Western pop canon. Swaths of his career still remain without…
Black Metal 2 sees Dean Blunt thrillingly return to the mode that first helped him break out, but it can sometimes feel more like an addendum…
Griff’s debut is a bit hit-or-miss, but still marks her as an artist to keep an eye on. One Foot in Front of the Other…
Tyler, the Creator Let’s first address what Call Me If You Get Lost isn’t. It isn’t a mixtape — though the instant shouting from DJ…
Dark in Here puts The Mountain Goats on a welcome new wavelength, opening a door for future sonic possibilities. The Mountain Goats, the ever-prolific quartet led…
With Call Me If You Get Lost, Tyler loses his spark in an album that is just more of the same — but worse. Let’s first address…
Amythyst Kiah’s breakthrough autobiographical album dwells in the darkness without getting lost in the void. If you know Amythyst Kiah, it’s probably through her involvement…
Sin City The Mixtape is a testament to Ski Mask’s skill, proving his music is only getting deeper. Sin City The Mixtape picks up right where…
With Jubilee, Japanese Breakfast make a personal and social statement, proving indie rock doesn’t have to be tepid and stodgy. For the last couple of years,…
Baby and Durk are like the musical Jordan and Pippen… sort of. Lil Baby and Lil Durk: He’s the voice, and he’s the hero, as we’re informed…
Ancient Dreams in a Modern Land isn’t MARINA’s strongest album lyrically, but sonically it’s still a fun listen. Marina (stylized as MARINA) is not the same girl…