Drake Drake — the artist, the brand, the living meme — goes through the motions these days. Why? Because he knows that he’ll be…
NBA YoungBoy “YB better.” This simple phrase has become a rallying cry of sorts for the millions of prepubescent YoungBoy Never Broke Again (or…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service…
The juggernauts of the fall festival season — Venice, TIFF, NYFF — cast a long shadow, which means that smaller autumn festivals too often…
Kanye West The announcement of a new Kanye West album — his tenth in fact — brought with it the delighted attention of the…
Parallel Mothers If Pedro Almodóvar’s pandemic short The Human Voice hinted at a freshly energized director liberated from the burden of expectations, then his…
The French Dispatch For better or for worse, there are few working American auteurs whose visual stamps are as broadly and immediately recognizable as…
Nas Is Nas in “rare form,” as he claims on King’s Disease II, or just a tad moldy? This question was already resoundingly answered…
Red Rocket It’s been far too long since we’ve been graced with a legitimate performance from Simon Rex a.k.a Dirt Nasty, the most esteemed…
Los Lobos Long before their days of weighty concepts and studio experimentation, Los Lobos cut their teeth as a wedding band, doggedly gigging across…
The Tragedy of Macbeth The Coens excel in films that flaunt a superficial mastery of genre, form, and cinematic grammar, all to arrive at…
Relative to other prestigious annual film festivals, NYFF typically operates — like due to its situation within the calendar year — as more of…
After Blue (Dirty Paradise) Bertrand Mandico’s new lo-fi whatsit After Blue (Dirty Paradise) is wildly ambitious, extremely beautiful, and maddeningly dull. In the film’s…
The Eyes of Tammy Faye The rise of evangelism has had no small impact on the cultural and political dynamics of America today, having…
The Rescue Elizabeth Chai Vasarhelyi and Jimmy Chin have a knack for humanizing the most extreme situations and conditions on Earth. 2015’s Meru documented…
Memoria Frequent In Review Online contributor Evan Morgan once posited a more refined version of the slow cinema paradigm that has come to dominate…
The Guilty Antoine Fuqua has made a career out of directing populist, middlebrow fare that seeks nothing more than to entertain audiences for a…
Titane What is the role of “transgressive” art in an ostensibly liberal society? Or, to put it another way: In a cultural context where…