In This Issue:

FEATURES:

NEW DIRECTORS/NEW FILMS 2023: Leila’s Brothers (Saeed Roustaee) by Michael Sicinski   //   Maputo Nakuzandza (Ariadine Zampaulo) by Daniel Gorman   //   Tótem (Lila Avilés) by Esmé Holden   //   The Face of the Jellyfish (Melisa Liebenthal) by Michael Sicinski   //   Remembering Every Night (Yui Kiyohara) by Sean Gilman   //   Astrakan (David Depesseville) by Michael Sicinski   //   Metronom (Alexandru Belc) by Ayeen Forootan   //   The Maiden (Graham Foy) by Zachary Goldkind   //   Petrol (Alena Lodkina) by Daniel Gorman   //   Absence (Wu Lang) by Sean Gilman   //   Gush (Fox Maxy) by Michael Sicinski   //   Almost Entirely a Slight Disaster (Umut Subaşı’) by Michael Sicinski   //   Autobiography (Makbul Mubarak) by Zachary Goldkind

THE SOUND & THE IMAGE, THE STREET & THE CINEMA: An Interview with Travis Wilkerson by Zach Lewis

KICKING THE CANON: Silver Lode (Allan Dwan) by Daniel Gorman

BEYOND THE QUALITIES THAT MONEY CAN BUY: Select Shorts from Cinéma du Réel by Zach Lewis

FILM REVIEWS:
How to Blow Up a Pipeline (Daniel Goldhaber) by Andrew Dignan   //   Showing Up (Kelly Reichardt) by Igor Fishman   //    Air (Ben Affleck) by Matt Lynch   //   Joyland (Saim Sadiq) by Shar Tan   //   The Super Mario Bros. Movie (Aaron Horvath & Michael Jelenic) by Steven Warner   //   Saint-Narcisse (Bruce LaBruce) by M.G. Mailloux   //   Paint (Brit Mcadams) by Matt Lynch   //   Fist of the Condor (Ernesto Diaz Espinoza) by Sean Gilman   //   The Severing (Mark Pellington) by Luke Gorham   //   Acidman (Alex Lehmann) by Emily DuGranrut   //   Living With Chucky (Kyra Elise Gardner) by Steven Warner