Shinichiro Ueda’s debut feature One Cut of the Dead was a sensation both in Japan and abroad when it came out a few years ago. A clever riff on the indie film production comedy that unfolded over three different layers of reality (a single-take…
The Journey to the West was perhaps the defining story of Chinese language film in the 2010s. Like stories of the Shaolin Temple or folk hero Wong Fei-hung in previous decades, it inspired myriad adaptations and interpretations, from filmmakers with wildly different styles and…
Calvin Thomas and Lev Lewis have been at the heart of the burgeoning Canadian independent film scene over the past few years, with their 2018 film Spice It Up serving as a kind of summation of the movement’s interest in the intersection of performance…
The year 2000 was a watershed year for Chinese-language cinema. Milestones like Crouching Tiger, Hidden Dragon and In the Mood for Love and Yi Yi saw release alongside lesser-known, but equally important, films like Jia Zhangke’s Platform and Jiang Wen’s Devils on the Doorstep (in…
Yang Li-chou’s documentary Father is about Chen Hsi-huang, an octogenarian master of the budaixi Taiwanese hand puppetry. He is the student, and oldest son, of Li Tien-lu, the foremost 20th century practitioner of the folk art, who, late in life, became a prominent member…
A young man heads to Singapore in search of his mother’s family after his father, a successful ramen chef, dies. Gauzy flashbacks fill in his parents’ backstory in-between meetings with his estranged uncle and grandmother; his Chinese mother married his Japanese father against her own…
A young woman, fed up with her life of toil and failed romance in the big city, returns to her family’s small farm in the countryside to spend a year rebuilding her psyche in Little Forest, a small gem of a film. South Korean director…
Of the three films Hong Sang-soo made in 2017, with actress and romantic partner Kim Min-hee, two were released in the U.S. in the spring of 2018 — shortly after his latest film, Grass (which also stars Kim), premiered at the Berlin Film Festival.…
Our Sunhi is the culmination of a cycle of Hong Sang-soo films, each starring actress Jung Yoomi, about aspiring women filmmaker with a weakness for strong drinks and a tendency to find themselves in the middle of love triangles between older and younger men. All the…
“Things repeat themselves with differences I can’t understand,” proclaims Oki (Jung Yu-mi), the director of the fourth, and final, film-within-the-film that comprises Hong Sang-soo’s 2012 feature Oki’s Movie. She has attempted to compare and contrast two relationships that she had — one with a…
