After five uninterrupted minutes of a camera looking out a train window at the passing greenery — we know it’s a camera looking and not just a person, because we can see the reflection of the camera in the reflection of the window opposite…
The idea of an adaptation of Shakespeare’s As You Like It, set in an ultra-modern Taipei with an all-female cast, certainly sounds appealing. As does the idea of transmuting Shakespeare’s Edenic Forest of Arden into an internet-free zone of play and gender non-conformity. Unfortunately, filmmakers…
Yourself and Yours almost slipped through the cracks. Released in 2016, in the space between the long-awaited breakthrough that was the 2015 release of Right Now, Wrong Then and the news-breaking of the scandalous affair between that film’s star Kim Min-hee and her director Hong Sang-soo.…
My Prince Edward is presided over by star Stephy Tang and director Norris Wong, both of whom reject schematism in favor of more subtle, surprising work. No pop star acts quite like Stephy Tang. Most singers who turn to movies carry some kind of flamboyance…
Song Fang’s long-awaited second feature film premiered at Berlin shortly before the world it depicts completely fell apart. As such, it is the perfect film to watch in this time of socially distanced online film festivals, at least for those of us who enjoy…
Shinichiro Ueda’s debut feature One Cut of the Dead was a sensation both in Japan and abroad when it came out a few years ago. A clever riff on the indie film production comedy that unfolded over three different layers of reality (a single-take…
The Journey to the West was perhaps the defining story of Chinese language film in the 2010s. Like stories of the Shaolin Temple or folk hero Wong Fei-hung in previous decades, it inspired myriad adaptations and interpretations, from filmmakers with wildly different styles and…
Calvin Thomas and Lev Lewis have been at the heart of the burgeoning Canadian independent film scene over the past few years, with their 2018 film Spice It Up serving as a kind of summation of the movement’s interest in the intersection of performance…
The year 2000 was a watershed year for Chinese-language cinema. Milestones like Crouching Tiger, Hidden Dragon and In the Mood for Love and Yi Yi saw release alongside lesser-known, but equally important, films like Jia Zhangke’s Platform and Jiang Wen’s Devils on the Doorstep (in…
Yang Li-chou’s documentary Father is about Chen Hsi-huang, an octogenarian master of the budaixi Taiwanese hand puppetry. He is the student, and oldest son, of Li Tien-lu, the foremost 20th century practitioner of the folk art, who, late in life, became a prominent member…
