Most films never expand past their 16:9 rectangular tombs, passively projecting until they inevitably fade to black. But a film like I Am Love transcends…
“What’s the worst that could happen?” The smart viewer, upon hearing this phrase during a film, will cringe. This is always intended as a rhetorical…
It’s an ironic kind of blessing when the tag “Walt Disney Pictures and Jerry Bruckheimer Films present” is appended to a film’s opening titles. You…
The chill comes off the screen. Ice hangs from the roofs and tree limbs. Frost covers the ground. The girl is in a boat, drifting…
Not many films possess the mindset of a black widow — eager to lure you in, chew you up, and spit you out as if…
Mia Hansen-Løve wears many creative hats; actress, film critic, screenwriter, and director. After starring in two of fiancé Oliver Assayas’s films in her late teens,…
“A crack commando unit was sent to prison by a military court for a crime they didn’t commit. These men promptly escaped from a maximum…
A witless, calculated attempt to start another Pirates of the Caribbean-style franchise (this one based on a video game series), Mike Newell’s Jerry Bruckheimer-produced Prince…
In wildly different ways, Catherine Breillat’s Fat Girl and The Last Mistress envision the collective invasion of the female psyche by male oppressors. In both,…
Neil Jordan is one of those directors whose reputation mysteriously exceeds his productivity. Few of his films stand out as anything more than thrill or…
The man is pale and severe and gaunt, terribly gaunt. His crisp white lab coat hangs on him as though it has always been there.…
The films of writer/director Nicole Holofcener are trim and personal, lit with the light of real life and warmed by the friction of relationships bumping…