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The Gas Station Attendant
— Karla Murthy [Review]
June 16, 2026
Flag Day
— Melissa Shea and Andrew Shea [Review]
June 15, 2026
Monument
— Sarah Halpern & Tim Geraghty [Review]
May 27, 2026
Stolen Kingdom
— Joshua Bailey [Review]
May 22, 2026
Masters of the Universe
— Travis Knight [Review]
June 9, 2026
Scary Movie
— Mike Tiddes [Review]
June 8, 2026
Star Wars: The Mandalorian and Grogu
— Jon Favreau [Review]
May 21, 2026
The Devil Wears Prada 2
— David Frankel [Review]
May 21, 2026
The Furious
— Kenji Tanigaki [Review]
June 11, 2026
Lucid
— Ramsey Fendall & Deanna Milligan [Review]
May 29, 2026
Matador Bolero
— Jonathan Rosado [Review]
May 27, 2026
Corporate Retreat
— Aaron Fisher [Review]
May 25, 2026
Promised Sky
— Erige Sehiri [Review]
June 8, 2026
Underland
— Robert Petit [Review]
June 5, 2026
Carolina Caroline
— Adam Carter Rehmeier [Review]
June 4, 2026
Another World
— Tommy Ng Kai Cheung [Review]
June 4, 2026
Office Romance
— Ol Parker [Review]
June 5, 2026
Ladies First
— Thea Sharrock [Review]
June 2, 2026
Miss You, Love You
— Jim Rash [Review]
June 1, 2026
My Dearest Assassin
— Taweewat Wantha [Review]
May 29, 2026
Disclosure Day
— Steven Spielberg [Review]
June 10, 2026
Backrooms
— Kane Parsons [Review]
May 27, 2026
I Love Boosters
— Boots Riley [Review]
May 25, 2026
A. Rimbaud
— Patrick Wang [Review]
May 18, 2026
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Festival Coverage
2026 Cannes Film Festival
2026 Prismatic Ground
2026 First Look
2026 Visions du Réel
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The Residue of Vanished Lives: Bill Morrison’s
darker
June 16, 2026
Cannes 2026 Roundup
May 25, 2026
Prismatic Ground 2026 —
Every Contact Leaves a Trace, Aanikoobijigan, Uchronia
May 2, 2026
First Look 2026 —
A Date With Shirley, Tropical Park, The Whole World Is a Lie
May 1, 2026
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Kicking the Canon
Film Canon
Album Canon
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More “Hollywood” Than “New”: Revisiting Steven Spielberg’s
Jaws
June 12, 2026
Traveling In a Circle Won’t Get You Very Far: Lisandro Alonso’s
La libertad
25 Years Later
June 3, 2026
One Sacrifice Will Beget Another: Rainer Werner Fassbinder’s
The Marriage of Maria Braun
May 27, 2026
Super-Charged and Candy-Coated: Hideaki Anno’s
Cutie Honey
May 22, 2026
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Feature Articles
Essays
Interviews
Retrospectives
A Decade Of
Year in Review
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An Attempt to Homage: An Interview with Mary Harron on
I Shot Andy Warhol
June 16, 2026
The Residue of Vanished Lives: Bill Morrison’s
darker
June 16, 2026
Beauty at the Edge of Ruin: A Dispatch From the Nitrate Picture Show
June 15, 2026
I Can Only Be Who I Am: An Interview with Sophia Takal
June 13, 2026
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