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    July 2025 — Reviews Roundup
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    No Sleep Till — Alexandra Simpson [Review]
    July 18, 2025
    Life After — Reid Davenport [Review]
    July 18, 2025
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    Collective Monologue — Jessica Sarah Rinland [Review]
    July 17, 2025
    The Naked Gun — Akiva Schaffer [Review]
    July 31, 2025
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    July 29, 2025
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    July 25, 2025
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    Holy Night: Demon Hunters — Lim Dae-hee [Review]
    August 5, 2025
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    August 5, 2025
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    July 28, 2025
    Ick — Joseph Kahn [Review]
    July 27, 2025
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    July 25, 2025
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    July 25, 2025
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    July 21, 2025
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    July 30, 2025
    Apocalypse in the Tropics — Petra Costa [Review]
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    July 11, 2025
    My Late Summer — Danis Tanović [Review]
    July 10, 2025
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    July 25, 2025
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    July 16, 2025
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    July 15, 2025
    Afternoons of Solitude — Albert Serra [Review]
    June 27, 2025
    Holy Night: Demon Hunters — Lim Dae-hee [Review]
    August 5, 2025
    Night of the Juggler — Robert Butler [Review]
    August 5, 2025
    The Naked Gun — Akiva Schaffer [Review]
    July 31, 2025
    Happy Gilmore 2 — Kyle Newacheck [Review]
    July 30, 2025
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  • Festival Coverage
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    Fantasia Fest 2025 — Dispatch 4: Flush, The Wailing, LifeHack
    August 5, 2025
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    August 4, 2025
    FIDMarseille 2025 — Dispatch 4: Selected Short Films
    July 31, 2025
    Fantasia Fest 2025 — Dispatch 2: Together, Terrestrial, Rewrite
    July 28, 2025
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    Nostalgia and Contemporary Critique: Peter Bogdanovich’s Targets
    July 31, 2025
    To Fight Against Historical Amnesia: Park Chan-wook’s Lady Vengeance
    July 25, 2025
    Light Like an Army: Paul Vecchiali’s Rose la Rose, fille publique
    July 14, 2025
    No Trace of Humankind: Todd Hayne’s Safe
    July 4, 2025
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  • Feature Articles
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    Pulp on Film: How Two Filmmakers Helped
    the Band Translate Their Work to the Screen
    July 29, 2025
    Masters and Slaves: Liliana Cavani’s The Night Porter
    July 23, 2025
    Aristocratic Buffoonery, Class Identity, and Romantic Foibles: Jacques Doniol-Valcroze’s A Game for Six Lovers
    July 18, 2025
    The Grand Illusion of Eric von Stroheim
    July 17, 2025
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Joe and Anthony Russo

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- by Matt Lynch

Captain America: Civil War | Joe and Anthony Russo

May 4, 2016
  • Recent Reviews

    • Holy Night: Demon Hunters — Lim Dae-hee [Review]

      - by Sean Gilman August 5, 2025

    • Night of the Juggler — Robert Butler [Review]

      - by Jake Tropila August 5, 2025

    • The Naked Gun — Akiva Schaffer [Review]

      - by Matt Lynch July 31, 2025

    • Happy Gilmore 2 — Kyle Newacheck [Review]

      - by Ethan J. Rosenberg July 30, 2025

    • I Know What You Did Last Summer — Jennifer Kaytin Robinson [Review]

      - by Alexander Mooney July 29, 2025

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      - by Emily DuGranrut July 25, 2025

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      - by Alex Broadwell July 25, 2025

    • The Fantastic Four: First Steps — Matt Shakman [Review]

      - by Matt Lynch July 25, 2025

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      - by Luke Gorham July 25, 2025
  • InRO Monthly

    • July 2025 — Reviews Roundup

      August 2, 2025 - by InRO Staff
  • Kicking the Canon

    • Nostalgia and Contemporary Critique: Peter Bogdanovich’s Targets

      - by Robert Stinner July 31, 2025

    • To Fight Against Historical Amnesia: Park Chan-wook’s Lady Vengeance

      - by Jawni Han July 25, 2025

    • Light Like an Army: Paul Vecchiali’s Rose la Rose, fille publique

      - by Joshua Peinado July 14, 2025

    • No Trace of Humankind: Todd Hayne’s Safe

      - by Robert Stinner July 4, 2025

    • Operatic Emotion & Melodramatic Coincidence: Paul Thomas Anderson’s Magnolia

      - by Dhruv Goyal June 26, 2025
  • Festival Coverage
    Fantasia Film Festival poster. Eye planet, city skyline, and flying creature. Purple cosmic background.
  • New York Asian Film Festival 2025 poster. July 11-27. Man and woman with blue background. NYAFF.org.
  • FID Marseille International Film Festival poster. Crowd at outdoor film screening event.
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  • Popular Posts

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