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Reflection lacks the scale of Vasyanovych’s Atlantis, but its brutalist Wes Anderson-esque tenor makes for a difficult yet still hopeful study of war. While Ukrainian writer/director Valentin Vasyanovych has been making films for a number of years, his breakthrough didn’t come until 2019’s Atlantis, which garnered awards at several…

Inbetween Girl manages to avoid the tepid dramatics of so many teen-screen films, but too often succumbs to bouts of preciousness and self-conscious affectation. The problem with so many teen movies is that they shape themselves according to shallow extremes of adolescent feeling, and specifically of young romance. There’s…

Fiddler’s Journey isn’t much more substantive than your average love letter doc, and suffers from an ill-conceived late-film detour. Daniel Raim’s chronicling of the pre-production and production processes of Norman Jewison’s Fiddler on the Roof is a meagerly informative expositional work that can’t quite jettison those industry-pushed aspirational faculties…

Bubble is an altogether gentler anime product for Araki, aiming for the emotional stakes of films like Your Name, but is slight to the point of inconsequence. For director Tetsurō Araki, Bubble represents something new. The director is best known for a few edgy anime series aimed at teen…

The Sound of Violet is a deeply out of touch, frequently offensive bit of nonsense that is best left unwatched. Phrases like “unbelievable” and “batshit insane” get bandied about by critics — this one included — so regularly that they have virtually lost all meaning, the inclination to traffic…

Paris, 13th District succeeds in communicating something distinctly, relatably human, even as it falters to present captivating drama. There’s something particularly soul-crushing about being lonely in a metropolis. An environment meant to socially concentrate instead atomizes. Jacques Audiard’s Paris, 13th District begins silently, a gliding overhead shot tracking…

Crash isn’t reinventing the dance-music wheel, but it’s still an energetic and enjoyable listen that highlights Charli’s talent for hooky pop. Charli has been at the forefront of pop for nearly a decade, consistently stretching the genre for the casual listener. From the dark pop of True Romance…

Aline is an undeniably singular film, but its eccentricities are mostly gloss on an overly-familiar biopic template. The new musical drama Aline is officially described in its marketing materials as “A fiction freely inspired by the life of Celine Dion,” a fact which anyone with functioning eyes could deduce…

Poppy Field carries the veneer of importance but isn’t much more than a series of lazy ironies, a shallow character study in need of a character. Over the past 15 years, Romania has firmly staked its claim on the international film scene, with such bold, acclaimed features as 4…

All the Old Knives is a DOA old-school espionage thriller that only succeeds in proving how wasted Chris Pine is. Sporting quite possibly one of the worst titles to grace a film in ages, All the Old Knives comes courtesy of Amazon Studios, its Prime streaming service as appropriate…

Capturing the fuzzy conceptual and materialist fluidity of modern globalization has become something of a go-to subject for contemporary non-fiction film. It’s a huge, even abstract, phenomenon with almost limitless possibilities and variations to explore. Sean Wang’s A Marble Travelogue is the latest entry in this burgeoning subgenre, exploring the…