In this dispatch: A Long Winter…
Andrew Haigh has proven adept, at times exceptionally so, at crossing diverse conceptual landscapes. His relationship dramas, of both the young and queer (Weekend, Looking,…
Space and time are rendered deliberately unstable in Andrew Haigh’s All of Us Strangers. The film is anchored in a new, near-empty London high-rise where…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years (with…
Above all else, Andrew Haigh has proven himself a deeply empathic artist; whether tackling 21st century queer identity (Looking, Weekend) or the devolution of a decades-long relationship…
For our third and final dispatch from the 2017 Toronto International Film Festival (here’s number one, here’s number two), we take a look at the film…