DIRECT ACTION, co-directed by Guillaume Cailleau & Ben Russell, traces the outer contours and inner lives of the persons within the ZAD de Notre-Dame-des-Landes (the…
Matías Piñeiro is best known for loosely adapting Shakespearean texts via small-scaled, interpersonal dramas: Twelfth Night in Viola; Measure for Measure in Isabella; Love’s Labour’s…
Republics, as it were, are spaces of contradiction — the citizens’ collective supreme authority refracted through the figures of their representatives — whose political legitimacy…
You Burn Me Matías Piñeiro is best known for loosely adapting Shakespearean texts via small-scaled, interpersonal dramas: Twelfth Night in Viola; Measure for Measure in…
James Benning’s 2021 film The United States of America works through 50 landscapes, one from each state in alphabetical order, only to end its credits…
Dane Komljen’s previous film, Afterwater (2022), is a triptych exploring the boundaries of humanity’s relationship with gender and the environment. It begins with an observational…
Mixed media artist Zhou Tao’s new film, The Periphery of the Base, playing now at Cinéma du Réel and totalling just 53 minutes across a…
Kevin Jerome Everson sprays out films like a machine gunner, but he’s got a sniper’s aim. Marbled Golden Eyes, his latest documentary portrait about an…
Master French experimental filmmaker Jean-Claude Rousseau plays with pop music in Où sont tous mes amants?, a title borrowed from a 1935 tune that translates…
“The word ‘Gaza’ means ‘pride’” is a statement softly uttered by Piero Usberti, whose gaze will define our capacity to witness in his feature travelogue-cum-poetic…