There’s a certain futility to any critical appraisal of a film like Jim Hosking’s third feature, Ebony & Ivory. That’s not to say there’s a…
Sadly, the title of Ariane Louis-Seize’s debut feature tells you virtually everything you need to know about the film itself. The Quebecois horror-comedy Humanist Vampire…
With streaming services yanking titles from availability and even disappearing completed works that may now never be shown again, it might seem like the perfect…
Kids these days don’t even know what film, this emulsive material, is, as a talking head insipidly points out in Alex Winter’s strained and self-serious…
Masking Threshold is one of the best films ever conceived about what it means to be terminally online, though its final act turn toward more traditional…
There’s a moment late in Why Don’t You Play in Hell? that neatly sums up Sion Sono’s distinctive vision. A boy crawls through a blood-soaked…
Few current documentaries seem as of-the-moment as Jesse Moss’s The Overnighters, a film shot through with pulsating clarity and startling ambition. It follows Jay Reinke,…