Showing Up Despite the steady repetition of themes that define Kelly Reichardt’s filmography (alienation, class, gender, the American West), her output has remained surprisingly…
Kelly Reichardt’s 2006 film Old Joy has been on my mind of late, a fact that I initially attributed to some combination of nostalgia…
From our Honorable Mentions post: It goes without saying that 2020 was a year like none other in recent history. Significantly, by virtue of living…
Kelly Reichardt’s latest treads familiar thematic territory, but her minimalist leanings here lend toward something altogether more expansive. First Cow is a film of…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into…
With theaters closed and film releases temporarily cancelled, there isn’t a whole lot of film content to produce over here at InRO. But one…
Our first dispatch from the 2020 Berlin International Film Festival takes on a diverse mix of 2019 festival circuit frequenters and a pool of…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years…
Our first dispatch from the 2019 New York Film Festival offers quick takes on a smattering of the festival circuit’s biggest films this year,…
It’s heartening to realize that in a year of seemingly constant death—one in which the passing of great filmmakers was no exception—the best films here seemed intent…
Our top 25 performances, before whittling it down to the 10 you’ll find below, featured votes for two actors from Manchester by the Sea, two from Toni…
A director of compassionate, deeply human portraiture, typically of decent people navigating the currents of their respective worlds, director Kelly Reichardt manages to ratchet up…