Zack Snyder’s Rebel Moon: Part 2 – The Scargiver is less the conclusion to the director’s epic two-part techno-fantasy than a post-mortem. If it’s the…
Imtiaz Ali, classified as an auteur for skewering the conventional (in)sensibility of Bollywood’s melodramatic romances, is actually somewhat unclassifiable. He began his career in the…
Does pop culture really need another Tom Ripley adaptation? That’s a fair question, considering just a couple of summers ago the fashion world was ablaze…
Netflix’s royal cash cow moos again with Scoop, a film so snugly nestled in The Crown’s shadow that it feels more like a Prince Edward…
Georges Arnaud’s novel The Wages of Fear has, of course, been adapted for the screen twice: Henri-Georges Clouzot directed his film of the same title…
Irish Wish marks the second collaboration between Janeen Damian and Lindsay Lohan, after their lukewarm yet distinctly feel-good Falling for Christmas. Far from the wintry…
Cinephilia is a dangerous game. Follow the director’s rules closely, and you are, more often than not, rewarded with insider access. These are reference points…
People are increasingly alarmed at the prospect of AI infiltrating creative work, turning humans into unnecessary appendages in the process of making movies, art, music,…
The elevator pitch for Spaceman sounds like the wind-up to a bad joke. Here’s a somber metaphysical tone poem wherein a scrappy Czech space program…
That hunk in the romance novel you’re reading — what if he was real and ready to mingle? That’s the entertaining and confident premise of…
Ma Dong-seok does it again in Netflix’s Badland Hunters. Like most of his notable roles post-Train to Busan (2016), he plays a haymaking Byronic hero…
Any new dystopian science fiction release on Netflix — TV show, live-action film, animation, short, whatever — emanates a deep sense of foreboding. This isn’t…
If there is one subgenre that has sadly been neglected in the 21st century, it’s that of the airplane thriller, where the action unfurls in…
Credit where credit is due to Dan Levy, Good Grief is more than just an attempt to recapture the magic of Schitt’s Creek, the hugely…
The superficial recreations of the Wes Anderson AestheticTM have kickstarted a new metric in art evaluation based on their ease of A.I. appropriation. While A.I.…
Tseng Ying-Ting’s crime drama The Abandoned announces itself with New Year’s Eve fireworks, a pretty little ditty in the form of Yazoo’s “Only You,” and…
Once a discarded pitch for a Star War, now even before it’s released an already-truncated first half of an eventually-six-hour techno-fantasy epic, Zack Snyder’s Rebel…
In October of 1972, a chartered airplane carrying four dozen people including a Uruguayan rugby team and their friends and families crashed in the Andes. Those who weren’t killed upon impact or in…
Director George C. Wolfe’s biopic and period piece Rustin opens with recreations of several iconic Civil Rights-era scenes: Tougaloo College students and faculty doused with…
As in this past winter’s Knock at the Cabin, a would-be idyllic vacation serves as microcosm for fissures in the great American experiment, in addition…
A Chicken Run sequel is like an admission of defeat from Aardman Animations, as is the upcoming Wallace and Gromit film. They seem to have…