Mark Jenkin had been making films for years before his debut feature, Bait, effectively took the UK by storm. Success across the festival circuit (a World Premiere at the
Berlinale, a U.S. Premiere at
New Directors/New Films, and a UK Premiere at the Edinburgh Film Festival) in 2019 prompted the BFI’s distribution arm to pick it up and properly put it in cinemas. A phenomenon of hand-processed film, self-composed score, post-sync sound, and stitched-together locations was less born than realized...
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