Bad Luck Banging borders on the didactic, but smartly allows its archetypes to conflate and contradict, turning its sketchbook designs into a platform for…
Obayashi’s final film is an apporpriately madcap, delirious submersion into the very heart of cinema, and is an articulation of its power in a…
Villeneuve’s Dune is a gorgeous, monumental, and thrilling take on Herbert’s material, only slightly hampered by a weak finale that anticipates an intended Part Two. It’s…
Ema is Larrain’s best film yet, a technical marvel and narrative step forward that hopefully anticipates the tenor of his next stretch of work. It…
Hopinka’s feature debut is a poetic and evocative film, one that seeks to quantify and articulate the symbiosis of humanity and earth. A prolific…
This is Not a Burial, It’s a Resurrection is a remarkable debut, a tonally complex and visually sumptuous marvel. Existing in a kind of…
Red Post on Escher Street is a powerful, insurrectionary refutation of the larger culture’s nihilistic star-gazing and obliteration of art. Red Post on Escher Street,…
Beginning emerges from the influence of obvious formal antecedents to become a stirring, singular work from a new cinematic worth following. On its surface, Dea…