Central to Danny and Michael Philippou’s Talk to Me was the idea that the universe doesn’t play fair. In horror movies, promethean punishments are…
Over the course of three seasons, I Think You Should Leave has cemented Tim Robinson as a genuinely iconic comedic performer. With episodes under…
Not all cinema exists to tell a story. Certain filmmakers may refer to themselves as storytellers, and certain writers on may claim that the…
“Eat the rich” satires didn’t start under Trump, but it certainly feels like they’re accelerating of late. We’re less than a month removed from…
Halina Reijn’s Babygirl is aware of the discourse. It’s read all the articles that have been passed around online, it knows what’s considered problematic…
The linchpin scene of Brady Corbet’s The Brutalist arrives nearly an hour into its 215-minute runtime when Adrien Brody’s Hungarian architect, László Tóth, sits…
In William S. Burroughs’ novella Queer, Lee takes Allerton, the object of his all-consuming desire, to see Jean Cocteau’s Orpheus. “In the dark theater,” Burroughs…
During an interview with Variety about their latest venture, Heretic, the writer-director duo Scott Beck and Bryan Woods (who rose to prominence for penning…
The title of A24’s newest tragicomic offering, We Live in Time, recalls the gleeful cliché of romance films from the decade past: The Time…
“We don’t want to scare people,” a director says at the beginning of Aaron Schimberg’s A Different Man. It’s the set of a workplace…
The rise of A24 as a production company and distributor has seen with it the public recognition, on Tik Tok and Reddit, of the…
Ti West’s 2022 slasher pastiche X was somewhat of a return to form for a guy who keeps trying to make horror films that…
A mother and daughter’s symbiotic bond fuels the artistic crucible that underlies Janet Planet. Such a description, let alone the title, might indicate a…
s1e1 – “Pilot” I have been thinking about Robin Wood and playing foxtail in a front yard that smelled like Sugar Maple leaves and…
With his breakout directorial feature Ex Machina, Alex Garland reduced a story that demanded to question the relationship between a body and a soul…
“Toys are too preoccupied with fun,” Alejandro (Julio Torres) declares in a cover letter to Hasbro during the opening of Torres’ debut feature film…
Arriving less than a month after the release of Ethan Coen and Tricia Cooke’s queer crime-comedy Drive-Away Dolls, Love Lies Bleeding, from British filmmaker Rose Glass,…
The abstraction of narrative devices to facilitate a certain tenor has lent itself, among certain circles, to the term “tone poetry.” While cinema has…