In this dispatch: Josephine, The Violinist…
Argentinean director Benjamín Naishtat garnered notice about 15 years ago, primarily with a trio of innovative, highly unusual feature films. 2014’s History of Fear was a nearly abstract nocturne focused on the various ways that a society can break down, turning its participants against one another. On a meta-level, it was about the different ways
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OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
In its attempts to chart the decaying values of a country in the midst of political turmoil, Benjamín Naishtat’s Rojo is disruptive from the very…