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In Review Online
  • New Releases
    1. Monthly Roundups
    2. Before We Vanish
    3. Blockbuster Beat
    4. Genre Views
    5. Horizon Line
    6. Streaming Scene
    7. Spotlight
    8. View All
    Dawn of Impressionism: Paris 1874 — Ali Ray [Review]
    March 28, 2025
    The Heirloom — Ben Petrie [Review]
    March 28, 2025
    Secret Mall Apartment — Jeremy Workman [Review]
    March 21, 2025
    Rats! — Carl Fry and Maxwell Nalevansky [Review]
    February 24, 2025
    Sinners — Ryan Coogler [Review]
    April 17, 2025
    ‘Death of a Unicorn’ Review — Alex Scharfman [Review]
    March 25, 2025
    Disney’s Snow White — Marc Webb [Review]
    March 21, 2025
    The Day the Earth Blew Up: A Looney Tunes Movie — Peter Browngardt [Review]
    March 14, 2025
    Warfare — Alex Garland & Ray Mendoza [Review]
    April 11, 2025
    Drop — Christopher Landon [Review]
    April 10, 2025
    Freaky Tales — Ryan Fleck & Anna Boden [Review]
    April 2, 2025
    A Working Man — David Ayer [Review]
    March 28, 2025
    The Friend — Scott McGehee & David Siegel & Stacey Battat [Review]
    March 28, 2025
    Holy Cow — Louise Courvoisier [Review]
    March 28, 2025
    Pet Shop Days — Olmo Schnabel [Review]
    March 21, 2025
    Being Maria — Jessica Palud [Review]
    March 21, 2025
    Holland — Mimi Cave [Review]
    March 28, 2025
    The Parenting — Craig Johnson [Review]
    March 14, 2025
    The Electric State — Joe & Anthony Russo [Review]
    March 14, 2025
    CHAOS: The Manson Murders — Errol Morris [Review]
    March 7, 2025
    The Shrouds — David Cronenberg [Review]
    April 17, 2025
    Việt and Nam — Trương Minh Quý [Review]
    March 28, 2025
    Baby Invasion — Harmony Korine [Review]
    March 21, 2025
    Misericordia — Alain Guiraudie [Review]
    March 21, 2025
    Sinners — Ryan Coogler [Review]
    April 17, 2025
    The Shrouds — David Cronenberg [Review]
    April 17, 2025
    Warfare — Alex Garland & Ray Mendoza [Review]
    April 11, 2025
    Drop — Christopher Landon [Review]
    April 10, 2025
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  • Festival Coverage
    1. 2025 International Film Festival Rotterdam
    2. 2024 Tallinn Black Nights Film Festival
    3. 2024 London Film Festival
    4. 2024 New/Next Film Festival
    5. View All
    New Directors/New Films 2025: Mad Bills to Pay, Lost Chapters, No Sleep Till
    April 12, 2025
    Overlook Film Fest 2025: The True Beauty of Being Bitten by a Tick, Redux Redux, Dead Lover
    April 5, 2025
    The Case of Nonhuman Cinema: Animal Documentaries at CPH:DOX ’25
    April 2, 2025
    Cinéma du Réel 2025: Little Boy, Paul, Evidence
    March 28, 2025
    Previous Next
  • Kicking the Canon
    1. Film Canon
    2. Album Canon
    3. View All
    Possession’s Inevitable Violence: Nicolas Roeg’s Bad Timing
    April 8, 2025
    A Ghost in New York: Chantal Akerman’s News from Home
    April 4, 2025
    The Power of the Hang: Quentin Tarantino’s Jackie Brown
    March 27, 2025
    The Collapse of All Morality: Robert Bresson’s L’Argent
    March 25, 2025
    Previous Next
  • Feature Articles
    1. Essays
    2. Interviews
    3. Retrospectives
    4. A Decade Of
    5. Year in Review
    6. View All
    Break It and Make It Their Own: An Interview with Joel Alfonso Vargas
    April 16, 2025
    Something Like Hamlet: Revolution and Ivan the Terrible
    April 16, 2025
    Mundanity and Romanticism: An Interview with Alexandra Simpson
    April 14, 2025
    What Kind of Tony Are You: On an Insignificant Character in Alex Garland’s Civil War
    April 10, 2025
    Previous Next
  • Music Archives
Tag

Carpark Records

Browsing
- by M.G. Mailloux

Cloud Nothings | The Shadow I Remember

March 11, 2021
  • March Releases

    • Dawn of Impressionism: Paris 1874 — Ali Ray [Review]

      - by Luke Gorham March 28, 2025

    • Holland — Mimi Cave [Review]

      - by Morris Yang March 28, 2025

    • A Working Man — David Ayer [Review]

      - by Matt Lynch March 28, 2025

    • The Friend — Scott McGehee & David Siegel & Stacey Battat [Review]

      - by Robert Stinner March 28, 2025

    • Holy Cow — Louise Courvoisier [Review]

      - by Padaí Ó Maolchalann March 28, 2025

    • Việt and Nam — Trương Minh Quý [Review]

      - by Chris Cassingham March 28, 2025

    • The Woman in the Yard — Jaume Collet-Serra [Review]

      - by Alexander Mooney March 28, 2025

    • The Heirloom — Ben Petrie [Review]

      - by Emily DuGranrut March 28, 2025

    • ‘Death of a Unicorn’ Review — Alex Scharfman [Review]

      - by Andrew Dignan March 25, 2025

    • Baby Invasion — Harmony Korine [Review]

      - by Milo Garner March 21, 2025
  • InRO Monthly

    • March 2025 — Reviews Roundup

      April 4, 2025 - by InRO Staff
  • Kicking the Canon

    • Possession’s Inevitable Violence: Nicolas Roeg’s Bad Timing

      - by Theo Rollason April 8, 2025

    • A Ghost in New York: Chantal Akerman’s News from Home

      - by Lydia de Matos April 4, 2025

    • The Power of the Hang: Quentin Tarantino’s Jackie Brown

      - by Jake Tropila March 27, 2025

    • The Collapse of All Morality: Robert Bresson’s L’Argent

      - by Dhruv Goyal March 25, 2025

    • Social Upheaval Starts at Home: Joseph Losey’s The Servant

      - by Robert Stinner March 18, 2025
  • Festival Coverage
  • Support Our Writers!
  • Popular Posts

    • Best Films of 2024: #50–41

      - by InRO Staff December 23, 2024

    • Eyes Wide Shut and the True Meaning of Christmas

      - by Milo Garner December 19, 2024

    • Venom: The Last Dance — Kelly Marcel

      - by Matt Lynch October 24, 2024
  • Staff

© 2024 In Review Online

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