A Girl Missing establishes Kôji Fukada as a strong imagemaker, but the film’s weak script weighs things down. If nothing else, A Girl Missing demonstrates yet again that formal and structural invention can only do so much to rescue a truly dire script. For about half…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some DVD bargain bin assuming that those still exist by the time this sentence finishes. In other words,…
