Sebastián Lelio’s The Wave swiftly announces itself as a musico-political spectacle. Music as activism, activism as music, but mostly — and sorely — musical activism.…
The Wonder is undeniably lifted by the strength of its two leads and technical craft, despite a notable failure to satisfy all of Lelio’s ambitions. Rarely…
Sometimes the determination between an actor’s successful and unsuccessful work comes down to context, like the ensemble of actors surrounding them, and sometimes it’s about the…