Atlanta’s Lil Baby and College Park’s Gunna are both cut from the same cloth — or, more appropriately, from the drip of the same man:…
Most everything one hears on Juice WRLD’s debut, Goodbye & Good Riddance, can be gleaned from its title: a phrase laden with bitterness and…
Serving as Meek Mill’s triumphant return from a long period of legal battles and L-taking, Championships is the rapper’s first album since his controversial 2017 incarceration — which stemmed…
J. Cole is, if anything, consistent: He’s dropped an album every two years for his past three projects; he’s constantly tried his damnedest to…
Trying to cover every rap album, mixtape, EP, collaborative project, and “selective playlist” released over the past year seems like a fool’s errand; in…
The decade of the Great Depression saw a slump in high-end Western productions. This indigenous genre had been immensely popular with audiences of the…
The first feature from French-Algerian visual artist Neïl Beloufa is an odd hybrid of comic arthouse thriller and Brechtian installation piece. Set in a shabby 1970s-chic…
The albums that defined the past year were projects that subverted typical genre norms and traditionalist views, making themselves hard to rigidly categorize in the…
Galaxie 500 is often labeled as a “shoegaze” band, which is understandable: their indolent, undeviating style (gently distorted guitars committing to one riff, one…
In the early 1980s, as the West was succumbing to the avaricious allure of Reaganism, Taiwan was undergoing a profound, progressive transformation. The country…
There are a lot of movies released in a year — and that’s even once you cut the crop down to just those that…
The central premise of Susanne Bier’s Bird Box sounds like some unholy (and unlikely) mashup of John Krasinski’s A Quiet Place and M. Night Shyamalan’s The Happening, without the…
The music that Gustav Åhr made as emo-trapper Lil Peep was confessional, misanthropic, self-loathing, bringing fans some solace just by showing them that their pain…