Unlimited But Periodic: A Conversation with Louise Weard on Castration Movie

A maxim sometimes encountered in film writing — and one espoused in the transcript that follows — is the notion that a film teaches an audience how to watch it. Surely, the texts and images we encounter in films aren’t solely designed to capitulate to the subsequent texts and images; without room for the incidental, there’s not much room for pleasure or terror. Still, a language emerges as time begins to pass, or is made to emerge. Phenomena from a...