“We know not this thing as it is in itself, but only know its appearances.” – Immanuel Kant, Prolegomena to Any Future Metaphysics That…
Inland Empire is to Mulholland Drive how Twin Peaks: The Return is to the first two seasons of Twin Peaks — a film/TV series…
Million Dollar Baby might open abruptly onto a brightly lit boxing ring, with two men contained in its boundaries and loudly grunting as they…
“24 of your favorite stars in Nashville!” hollers the voiceover in the opening credits of Robert Altman’s consensus favorite and magnum opus. (We can…
Where the Sidewalk Ends (1950) would be Otto Preminger’s last film for 20th Century Fox, capping off a productive (if tumultuous) chapter in the…
When 20th Century Fox bought the rights for a new anamorphic lens technology in 1952, whose origins dated back to a 1926 process called…
The films of Hou Hsiao-Hsien are generally centered on the collision and convergence of multiple historical forces reshaping the “present” in their image, where…
David Lynch died on January 15, 2025, five days before his 79th birthday, and as obituaries and remembrances poured forth, certain descriptors of his…
Would Jacques Demy’s The Umbrellas of Cherbourg still be an effective movie if it wasn’t entirely sung-through? It seems like an impossible question to…
Ever since making Dekalog in 1989, the monumental ten-hour-long Polish-language TV series consisting of one-hour episodes based on each of the Bible’s Ten Commandments,…
“You’re an improbable person, and so am I. We have that in common. Also a contempt for humanity. An inability to love or be…
In the grips of the beating sun, we see a group of young radicals — ranging from Black Power activists to draft dodgers —…
Director Mikio Naruse never garnered the acclaim of Yasujirō Ozu, Kenji Mizoguchi, or Akira Kurosawa. The absence of a clearly legible “minimalism” (a reductive…
When asked to name the scariest films ever made in 2013, Martin Scorsese chose Robert Wise’s 1963 film The Haunting as his top selection…
The 1954 version of A Star is Born should never have turned out as well as it did. It was a remake of a…
Here’s an unpopular opinion: movies should speak for themselves. In the ever-incessant era of YouTube, TikTok, and social media, there is certainly no dearth…
There’s a distinct thrill to be had in discovering a nascent filmmaking voice, particularly one that is teeming with assuredness, wit, and loads of…
By the time Miklós Jancsó made Red Psalm in 1972, he had already established his own allegorical mode of filmmaking. Stories of uprisings, movements,…