Space and time are rendered deliberately unstable in Andrew Haigh’s All of Us Strangers. The film is anchored in a new, near-empty London high-rise where…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years (with…
Above all else, Andrew Haigh has proven himself a deeply empathic artist; whether tackling 21st century queer identity (Looking, Weekend) or the devolution of a decades-long relationship…
For our third and final dispatch from the 2017 Toronto International Film Festival (here’s number one, here’s number two), we take a look at the film…