The issue at the heart of Jonathan Glazer’s The Zone of Interest is one of the oldest in the cinema: how does one represent the…
An easy bit of advice to give to any filmmaker who tries, whether with journalistic integrity or well-meaning folksy soapboxery, to make a film about…
With his latest film Monster, Hirokazu Kore-eda has outdone himself. Rather than make one bad film, as he usually does, the Japanese director has made…
Youth (Spring) arrives in the midst of something of an inflection point: The West’s orientation toward China has shifted radically since Chinese documentary filmmaker Wang…
Blanket declarations about three-hour-plus runtimes always seem curious when filmmakers employ said length for wildly different purposes. Though the sweeping epic may be the most…
Priest, politician, resistance fighter, and social worker Abbé Pierre remains one of France’s most popular figures, best known for founding Emmaus, a charity movement with…
In many respects, each of the works by Wang Bing at Cannes this year exemplify the now reigning axes of Wang’s interests and style. Youth…
A deceptive airiness courses through No Love Lost, the sophomore feature from Erwan Le Duc — which follows his equally quaint and whimsical The Bare…
Elena Martín Gimeno is the director, co-writer, and star of Creatura, a somewhat oddly titled film. When Mila (Gimeno) and her partner find themselves unable…
Cléo (Louise Mauroy-Panzani) is a storm that is hard to contain: though pure, she’s capable of so much darkness. And she’s six years old. Raised…
Two years ago, French director Catherine Corsini was in Cannes’ Competition with The Divide, a film that used the deteriorating marriage of two well-heeled Parisian…
Though recent Palme d’Or wins for Parasite and Titane might point to a changing landscape, Cannes has never been a particularly genre-friendly festival. Most selections…
A delicate and bittersweet queer coming-of-age film, A Song Sung Blue is also, unfortunately, weighed down by all the predictable beats that befall its bildungsroman…
Belgian director Paloma Sermon-Daï’s 2020 documentary film Petit Samedi profiled her own family, paying particular attention to her brother and his drug addiction. Her debut…
It’s been five years since Djon Africa, the last feature from co-directors João Miller Guerra and Filipa Reis. That film — about a Cape Verdean…
Trần Anh Hùng’s The Pot-au-Feu charts a romance between gourmet chef Dodin Bouffant (Benoit Magimel) and his cook, Eugenie (Juliette Binoche), in late 18th-century France.…
One Fine Morning Stepping back from Cannes’ main competition in favor of the somewhat cooler (in 2022, anyhow), awards-less Directors’ Fortnight lineup, Mia Hansen Løve…
Tori and Lokita Even by their standards, Jean-Pierre and Luc Dardenne’s Tori and Lokita is a relatively to-the-point affair. Set in an unnamed Belgian city,…
War Pony The past decade suggests an encroaching — or, perhaps at this point, arrived — renaissance in Indigenous art. Regardless of the medium, native…
Triangle of Sadness Like its titular metaphor, Ruben Östlund’s follow-up to his caustic and controversial Palme winner unfurls in cryptic yet characterizable fashion; in physiognomy,…
Pacifiction A favorite at Cannes for several years now, self-styled arthouse rockstar Albert Serra has had a dependable home th festival since his (narrative) debut…