“Obvious” is likely the last word that would be used to describe Argentine writer-director Gastón Solnicki’s Kékszakállú—by a large margin, the most baffling film discussed…
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“Obvious” is likely the last word that would be used to describe Argentine writer-director Gastón Solnicki’s Kékszakállú—by a large margin, the most baffling film discussed…
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