In Michael Sarnoski’s The Death of Robin Hood, the titular outlaw of English folklore spends his final years wandering the moors of 13th-century Britain, trying…
On its surface, Haifa al-Mansour’s Unidentified is a crime thriller that follows a recent divorcee, Nawal (Mila Al Zahrani), as her true crime obsession emboldens…
Before diving into any of the specific details of Citizen Vigilante, let’s get straight into what the film actually is: racist, xenophobic, ethnocentrist, alt-right agitprop…
John Early is a tightrope artist. There’s little about his debut feature, Maddie’s Secret, that should work. With the DNA of a comedy sketch, Maddie’s…
“All films are time travel films, and all films are ghost films,” said filmmaker Mark Jenkin at a post-screening Q&A for the New York Film…
Girls Like Girls is gay, and (mostly) proud of it. The film is Hayley Kiyoko’s adaptation of her novel of the same title, which was…
Much digital ink has been spilled over whether now, more than ever, we need positive queer images in popular media. As the world skids further…
The first shot of Julian Chou’s film Blind Love is both jarring and literal: a close-up of a doctor draining a cyst under a twitching…