Browsing Tag

Neon

Photo: Neon
by Daniel Gorman Film Horizon Line

She Dies Tomorrow | Amy Seimetz

She Dies Tomorrow is a fever-dreamy reflection of modern existential anxieties.  Rodney Ascher’s 2015 documentary The Nightmare follows multiple subjects that have experienced bouts of sleep paralysis, a real phenomenon involving the sensation of being lucid but with an inability to speak or move. It’s not…

Photo: Neon
by Sam C. Mac Film Horizon Line

Luce | Julius Onah

More sentient discourse than credible drama, Julius Onah’s Luce frankensteins together a collection of button-pushers: issues of race, class, privilege, elitism, tokenism, essentialism, free will, mental health, radical ideologies, sexual assault, social media’s distortions, police brutality, and on and on. One could charitably call…

by Luke Gorham Film Horizon Line

Vox Lux | Brady Corbet

Vox Lux, the second film from actor-turned-director Brady Corbet (after 2016’s The Childhood of a Leader), scans as a fruitless and embittered attack on pop celebrity, complete with familiar assertions that our collective degradation of cultural mores is bound to lead to the insidious…

Before We Vanish by Justin Stewart Film

Gemini | Aaron Katz

Aaron Katz’s glossy, very surface-conscious mystery opens in high style with an upside-down shot of twilit palm trees, cool vaporwave beats easing the transition to additional moody images of crepuscular Los Angeles environs (Andrew Reed’s the DP, Keegan DeWitt did the music). While 2014’s…

Before We Vanish by Lawrence Garcia Film

Beach Rats | Eliza Hittman

Eliza Hittman’s first feature, It Felt Like Love, was a promising, if familiar Brooklyn-set tale of a teenage girl’s burgeoning sexuality. With, Beach Rats, Hittman revisits the same setting, but with the focus now on a teenage boy’s nascent queer exploration. When the film…

Before We Vanish by Luke Gorham Film

The Bad Batch | Ana Lily Amirpour

In her promising first feature, A Girl Walks Home Alone at Night, Iranian director Ana Lily Amirpour forewent the feminist messaging her film’s title might have suggested and instead surprised with a stylish meet-cute premise involving a vampire. Her follow-up, The Bad Batch, substitutes…

by Kenji Fujishima Film Horizon Line

Colossal | Nacho Vigalondo

Give Nacho Vigalondo’s latest points for being consistently unpredictable: it’s a monster movie, in a sense, but the monsters turn out to be analogous for its two main characters, Gloria (Anne Hathaway), an alcoholic New Yorker who retreats to her hometown after her boyfriend (Dan…

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