All We Imagine As Light “This city takes time away from you,” says one of the seven disembodied voices introducing us to the wide-awake-at-night…
Anora The title character of Sean Baker’s Anora notably does not go by that name for most of the film, and appears uncomfortable when…
Anora Following Red Rocket in 2021, Anora marks Sean Baker’s second straight feature in competition at Cannes, and this one comes with reports of…
Following Red Rocket in 2021, Anora marks Sean Baker’s second straight feature in competition at Cannes, and this one comes with reports of packed…
Honorable Mention: Leave it to Sean Baker to direct poverty porn. After the much-celebrated The Florida Project, a fantastical if somewhat aestheticised survey of…
It’s been a particularly horny year for films. Perhaps not unnaturally; having been cooped up indoors while the viral blizzard howls outside, stoked by…
Red Rocket is an intentionally bad vibes experience, and while the film’s messaging is resolutely simplistic, it’s all kept afloat by Simon Rex’s year’s-best performance.…
Red Rocket It’s been far too long since we’ve been graced with a legitimate performance from Simon Rex a.k.a Dirt Nasty, the most esteemed…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years…
The finest films of 2017 simultaneously offered us a respite from, and a deeper reflection on, our fraught and fractured social and political realities.…
For anyone lamenting the political reticence of much of American independent filmmaking, Sean Baker’s The Florida Project—the consensus favorite of this year’s Directors’ Fortnight…