As February comes to a close, we’re back with more new reviews of this month’s latest releases. Here you’ll find our thoughts on everything from big entries like The Monkey, Captain America…
In the Mouth In the Mouth, the sophomore feature from Cory Santilli (Saul at Night, 2019) is everything from a film noir to a prison…
Pavements “The world’s most important and influential band breaks up and it’s not a big deal.” Thus begins Alex Ross Perry’s Pavements, establishing from the…
Blazing Fists I watched two films from IFFR’s 2025 festival: one was The Last Dance, the smash hit Hong Kong family melodrama set in the…
Yasuko, Songs of Days Past Like many Japanese directors his age, Kichitaro Negishi got his start at the legendary Nikkatsu studio making the only thing…
January 2025 brings with it a slight tweak to our format at InRO. Still featured will be all of the content we've made it our mission to deliver, but packaged a little differently and delivered according to a new timeline. Throughout the month, you'll still find us dropping our fantastic writers' work in interviews, essays,
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YEAR IN REVIEW BEST FILMS OF 2024 ESSAYS THE FLEAS OF PETTICOAT LANE: JURASSIC PARK, FROM PAGE TO FILM FEATURE BY: Milo Garner IMMORTALITY THROUGH…
Individual Lists Aaditya Aggarwal Contributor 1. Mambar Pierrette — Rosine Mbakam 2. Mountains — Monica Sorelle 3. Janet Planet — Annie Baker 4. Babygirl — Halina Reijn 5. Queer — Luca Guadagnino 6. The Room Next Door — Pedro Almodóvar 7. Last Summer — Catherine Breillat 8. Girls Will Be Girls — Shuchi Talati 9.
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Convergence and divergence are sometimes indistinguishable from each other, especially when occurring in an ecosystem so rapid, cacophonous, and reflexive. This is the bubble we…
Convergence and divergence are sometimes indistinguishable from each other, especially when occurring in an ecosystem so rapid, cacophonous, and reflexive. This is the bubble we…
Convergence and divergence are sometimes indistinguishable from each other, especially when occurring in an ecosystem so rapid, cacophonous, and reflexive. This is the bubble we…
Convergence and divergence are sometimes indistinguishable from each other, especially when occurring in an ecosystem so rapid, cacophonous, and reflexive. This is the bubble we…
Convergence and divergence are sometimes indistinguishable from each other, especially when occurring in an ecosystem so rapid, cacophonous, and reflexive. This is the bubble we…
INTERVIEWS PART OF THE STORY: AN INTERVIEW WITH JOHN SMITH FEATURE BY: Zach Lewis FILM DOESN’T TAKE ANY PRISONERS: AN INTERVIEW WITH RICHARD TUOHY FEATURE…
ESSAYS A COLLISION OF TICKS: MIKE LEIGH’S HARD TRUTHS FEATURE BY: Milo Garner A SOCIETY SHAPED MONSTER: THE TEXAS CHAIN SAW MASSACRE AT 50 FEATURE…
Rumours Since his out-of-nowhere debut feature Tales from the Gimli Hospital in 1988, Winnipeg-based director Guy Maddin has become synonymous with a very particular brand…
ESSAYS A MAN CHISELING AWAY AT STONE: ANTHOLOGY FILM ARCHIVES’ ROBERT BEAVERS RETROSPECTIVE FEATURE BY: Andrew Reichel THE THIEF TURNS BARDIC: ON RAJ KAPOOR’S AWAARA…
The Room Next Door Spanish director Pedro Almodóvar’s English-language films have operated in a particularly confessional mode. Featuring The Room Next Door’s co-star Tilda Swinton,…
Eephus At first, Eephus holds the potential to make one quite sad. For this writer, the effect did not seem intentional and was more about…
Scénarios The last image of Jean-Luc Godard’s last film Scénarios is one of the most heartbreaking in his long, storied, notorious, glorious, defining, essential career.…
All We Imagine As Light “This city takes time away from you,” says one of the seven disembodied voices introducing us to the wide-awake-at-night Mumbai…