While only a year out from the Big Ghost Ltd. collab tape What Has Been Blessed Cannot Be Cursed, Conway the Machine seems anxious to…
When VEEP aired on HBO eleven years ago, it seemed easy to call it a vicious political satire. The show was at its best when…
In the wake of the mass protests that raged throughout Hong Kong for much of 2019 and the first half of last year, the 2021…
Just in time for Mother’s Day comes The Mother, a heartwarming tale of familial love courtesy of Netflix that opens with our titular heroine (Jennifer…
Inescapable during the ‘90s and ‘00s yet rendered near instantly obsolete by the iPhone and its assorted imitators, the BlackBerry smartphone feels less like a…
Adirley Queirós and Joana Pimenta come from very different artistic backgrounds, but that fact wouldn’t be obvious based on their two collaborations to date, Once…
In This Issue: FEATURES: Bodies of Dissent: A Conversation With Adirley Queirós and Joana Pimenta by Alonso Aguilar White House Plumbers by Shar Tan KICKING THE…
Kristian Matsson, better known by his moniker The Tallest Man on Earth, returns with his sixth album of original songs, Henry St. Over the past…
Actress-turned-director Manuela Martelli’s debut feature, Chile ’76, is a thriller built upon the expectations of upper-class marital melodrama. Carmen (a subtle but strong Aline Küppenheim)…
A plaintive, largely melancholic coming-of-age story, writer-director-editor Anthony Shim documents his childhood as a Korean immigrant in 1990s Canada in the intermittently cloying but mostly…
Jethro Tull’s long-awaited return with 2022’s The Zealot Gene — their first album in two decades — was something of a small triumph. It gave…
In discussing what constitutes homophobia, queer theorist Eve Sedgwick posits that “the number of persons or institutions by whom the existence of gay people is…
There’s been no shortage of lamentation here at InRO about how the contemporary Hollywood studio system has mostly abandoned mid-range, mid-budget action movies in favor…
Shekhar Kapur’s What’s Love Got to Do With It? comes courtesy of Studio Canal and Working Title, two production companies who have created a cottage…
Ashley McKenzie’s debut feature, Werewolf, already suggested a talent to watch in its refracted take on the addiction/relationship drama. While its dramatic sense felt stuck…
In his 2017 film Those Who Are Fine, Cyril Schäublin provided a quiet yet jaundiced view of his home nation of Switzerland. He depicted the…
Joachim Lafosse’s The Restless begins with a stranding at sea. Damien (Damien Bonnard), a rising art star at the beginning of a manic episode, jumps…
Perennially undervalued, Joseph H. Lewis receives a single paragraph in Andrew Sarris’ canonical The American Cinema (relegated to the expressive esoterica category alongside Andre de…
In This Issue: FEATURES: Prismatic Ground 2023: AIDOL / theta (Lawrence Lek) by Zach Lewis // Where Is This Street (João Pedro Rodrigues and João Rui…
One of the more delightful, long-running series in contemporary cinema is Tsai Ming-liang’s Walker films, wherein actor Lee Kang-sheng — dressed in flowing red Buddhist…
It’s easy to see into the future. All one has to do is see the present and ask what would happen if we accepted the…