“There is no dead matter,” the narrator’s father proselytizes in Bruno Schulz’s 1937 book Sanatorium Under the Sign of the Hourglass, “lifelessness is only…
In England, every director of eligible age faces being conscripted into making a movie about the British experience of a world war of their…
“You know what’s wrong with America, don’t you? It’s the light,” Hank rants to his buddy. “It’s all tinsel, it’s all phony bullshit, man.…
Ghosts of workers lost to corporate violence in Jakarta and Korea; a future media archaeologist picking through Indonesia’s fossilized e-waste; sand miners under the…
**The following discusses the endings of Monster and Evil Does Not Exist. “Movies are the most powerful empathy machine in all the arts,” Roger…