Mad God is a profoundly unique work from Phil Tippett’s frenzied mind, a troubled, personal, and wholly original statement of the aching human heart. More famously…
Good Luck to You, Leo Grande is the kind of frictionless non-starter destined to be watched at half-attention. Good Luck to You, Leo Grande, or so…
Moneyboys looks good to the eye but sees nothing new, regurgitating the more inspired reveries of erotic ennui that directors like Tsai Ming-liang effortlessly dream…
Offseason is an undeniably slick film, but one too encumbered by bad aesthetic impulses and a too-shabby framework. Thirty minutes into Offseason, Marie Aldrich (Jocelin Donahue)…
The Righteous is a compelling forgery, often beautiful to look at but not nearly as profound as it believes itself to be. The Righteous, the debut…
Hustle is middlebrow inspo cinema that fails to channel the best of either Sandler’s juvenalia comedy or his dramatic talent — just one giant cliché…
Interceptor makes enough of its modest scale to please DTV action junkies until the next low-budget blaster comes along. DTV action lovers will have a…
A sharp, intelligent, and character-driven LGBTQ riff on Austen, Fire Island is one of the best things to happen to the rom-com genre in a…
Sycorax is a fluid re-orientation of filmic and theatrical modes, a mostly successful attempt at contextualizing classic modes within a contemporary context. The vastly different…
Look at Me is an entertaining Rorschach test, a declaration and a plea to study the evidence of a spectacular, troubled life. It begins with a…
Mariner of the Mountains is a beautiful family project that becomes diluted within the context of Aïnouz’s filmography, slowing the film’s considerable poetry. Per the film’s…
Chip ‘n Dale: Rescue Rangers needs rescued from the Mouse House, which has here flattened the meta-reboot into a flavorless work of IP regurgitation. Somewhere…
Emergency understands the tragedy of individuals forced to feel systematically dehumanized, but stumbles when it comes to logic, comedy, and tension. The college party movie, usually…
The Found Footage Phenomenon is a bland, talking head-heavy dud that feels like an incomplete Wikipedia article on its subject matter. If anything, new documentary…
Summer of Changsa is an exercise in useless misery that feels lifeless from start to finish. Having premiered three years ago, all the way back at…
Deception should have been prime, loopy material for Desplechin, but instead remains frustratingly staid, only occasionally capturing the spark of his more personal material. A…
Senior Year is an inconsistent, scattershot vanity project for Rebel Wilson, tanking every potentially interesting angle in favor of lame mugging. Austin Powers meets Never…
Operation Mincemeat is precisely the kind of stolid history flick your dad will probably like but which bears little artistry to otherwise meaningfully distinguish itself.…
The Twin is a thoughtless, derivative bit of horror pap that feels like it was written by a bot. Utterly generic in every conceivable way,…
The Sadness delivers cartoonishly gory entertainment, but is less successful in delivering the Romero tradition of meaningful societal indictments. Canadian director Rob Jabbaz shot The…
Marmaduke is one of the most scatological films you’re ever likely to see, and so it’s fitting that it turns out to be an epic piece…