The Supremes at Earl’s All-You-Can-Eat follows the intertwined lives of three best friends, Odette (played by Kyanna Simmone when young, and Aunjanue Ellis-Taylor in…
Spare a thought for the enfant terrible who finds themselves just this side of respectable. The filmmaker Yorgos Lanthimos has, over the past 15…
Ned Benson’s The Greatest Hits opens with its heroine, Harriet (Lucy Boynton), a young librarian, standing alone in her beautifully half-lit, tranquil apartment before…
The year was 2005, and if it wasn’t a simpler time, the ways in which it was inane only felt obvious in hindsight. A…
Space and time are rendered deliberately unstable in Andrew Haigh’s All of Us Strangers. The film is anchored in a new, near-empty London high-rise…
“I shall. For it is a happy tale.” So begins the lurid odyssey of flesh reformed and soul remade, a marionette reanimated by its…
Consider the fortunes of Taika Waititi in just the last five years. Briefly heralded as one of the more exciting voices in pop filmmaking…
A film about the creation of Flamin’ Hot Cheetos sounds like a bit of a farce, the subject matter seemingly better suited for a…
In July 2020, The New York Times published an article by composer and music composition professor Marcos Balter that criticized the notion of calling…
Empire of Light is a misguided, overly aestheticized slog built upon mawkish sentimentality. Somewhere along the way in Sam Mendes’ Empire of Light, it becomes…
The Menu is a poor attempt at satire that fails to develop anything more than the shallowest of ideas. Let’s quickly take stock: Triangle…
The Banshees of Inisherin benefits from its lead characters’ unconventional dynamic, thoughtfully examining the ways in which individuals navigate the nuances of life within…
See How They Run is an amiable, nerdy romp that draws upon theater history, Agatha Christie, and even Wes Anderson to create a jaunty exercise…
Good Luck to You, Leo Grande is the kind of frictionless non-starter destined to be watched at half-attention. Good Luck to You, Leo Grande, or…
Nightmare Alley suffers from some tonal imbalance and isn’t always suited to its epic style, but the strength of craft and del Toro’s familiar…
Antlers is a competently made but shallow horror effort, slathered in trauma-heavy metaphor and a questionable abuse narrative. Writing about new horror movies can sometimes…
The French Dispatch is the latest Wes Anderson film to be utterly encumbered by the director’s propeller-beanie twee and flattened storytelling chops. For better or…
The Eyes of Tammy Faye indulges the very spectacle it supposedly interrogates, betraying its aims and offering only a flattened take on its titular subject.…