Writer-director David Moreau has set himself a tall task with his new film MadS, namely how to rejuvenate the moribund zombie sub-genre while also…
Coming 12 years after the first V/H/S, V/H/S/Beyond continues the well-established formula of the franchise: anthologized, supposedly found footage horror shorts, threaded together with…
After several festival dates in 2023, Simon Barrett and E.L. Katz’s Azrael seemed to fall off the face of the Earth. Given the current…
With 2024 marking the arrival of their eighth co-directed feature (with a couple additional co-director credits going to daughter Zelda in recent efforts), the…
Money speaks everywhere in the world and in all creative industries, so Dancing Village: The Curse Begins comes as no surprise following KKN di…
How does one approach a film that reveals everything about itself in its opening sequence? Do we applaud its ability to summarize its themes…
As of this writing, Sam Raimi has just tapped Sébastien Vaniček to helm a new Evil Dead movie. Based on the evidence of Infested,…
A man living by himself in a small, ramshackle house. A knock at the door. A stranger asking for help who may or may…
With so much modern horror based in ’80s VHS nostalgia or mired in transmuting trauma, it’s enough that Late Night with the Devil’s set…
In its early narrative, Simone Scafidi’s Dario Argento Panico introduces its eponymous subject, now in his 80s, as a sort of mythologized figure —…
The words “A Shudder Original” don’t exactly convey a distinct meaning — not yet. While Shudder has released dozens of films, the platform is…
As more and more classics of literature and film enter the choppy waters of public domain, low-rent features like new horror-comedy It’s a Wonderful…
Jennifer Reeder’s new film Perpetrator has received some very strong reviews at Berlinale, and to be honest, it takes a while to figure out…
Of all horror films, no work is referenced, paid homage, or just plain ripped-off more than The Shining. Most films are satisfied to take…
Quicksand is yet another entry in the suddenly ubiquitous horror subgenre of forced couples’ therapy, where a contentious pair are placed in a diabolical…
Now with three feature films to his name as writer-director, Ted Geoghegan has carved out a nice niche for himself as a go-for-broke indie…
In his canonical text Hollywood Genres, author and theorist Thomas Schatz proffers a still useful distinction, that being between “the film genre and the…
A Wounded Fawn is a delightfully weird and lo-fi work of playful horror. There’s not much left to do with serial killer narratives these days,…