Marketed as “a Green Day comedy,” Lee Kirk’s newest film, Nimrods, could more fittingly be described as specious or surprisingly inept. Or, it could be…
Kent Jones has long been one of cinema’s greatest thinkers, so to simply refer to him as a director seems a gross oversimplification for what…
One of the better moments in Park Joon-ho’s debut feature, 3670, is its first. The young, timid Cheol-jun (Cho Yoo-hyun) climaxes during a sexual encounter…
Allow me to posit a cinephilic contention: that cinema is perhaps the most formally complete of all art forms — or rather, a blistering confection…