An album a decade-plus in the making, A Written Testimony is Jay Electronica’s thumping autobiography and manifesto. For most of the past decade, Jay Electronica has been…
RTJ4 gets out of the blocks slowly, but the album’s second half features the duo at their fiercest. Rap duo Run the Jewels, consisting of MC…
High Off Life has the requisite Future bravado to sustain a record, but is mostly only good enough to remind what he is at his best.…
YoungBoy’s latest is still muddled by inconsistency but proves he’s an ascendant rapper not to be slept on. YoungBoy Never Broke Again needs you to…
Lil Uzi Vert Eternal Atake (Deluxe), aka Lil Uzi Vert vs. the World 2 and Eternal Atake, is a project that lives up to its…
Set in the small coastal town of Oiso, Takuya Misawa’s sophomore feature is a crisp, withholding tale of pent-up aggression and toxic masculine friendship. A…
The depiction of sex work in cinema usually does one of a couple things: bears down on the eroticizing, titillating aspects, indulges in moralistic hand-wringing,…
Shinichiro Ueda’s debut feature One Cut of the Dead was a sensation both in Japan and abroad when it came out a few years ago.…
Roar begins with a vertiginously disorienting prologue, as a manic handheld camera frantically searches a room before pushing into an extreme close-up of a frightened,…
I think it’s safe to say that Nobuhiko Obayashi no longer requires an introduction. For that we owe the Japan Cuts team a debt of…
Seijo Story – 60 Years of Making Films I think it’s safe to say that Nobuhiko Obayashi no longer requires an introduction. For that we…
Haim’s latest represents their most cohesive artistic vision yet and a grand promise of continued evolution. “Goodbye for now” were the words that the Haim…
Homegrown is the rare archival release that actually offers substance rather than just ephemera. In an age where exhuming stacks of demos and alternate mixes has…
Chromatica delivers occasional melodic pleasures but is otherwise stripped of the complexity and contradiction that usually defines Gaga’s brand of pop. Each new release from Lady…
Charli XCX has found her niche as an entertainer but lost her way as an artist on How I’m Feeling Now. How I’m Feeling Now,…
Petals for Amor finds Hayley Williams at her most vulnerable as a lyricist and most experimental as a musician. If Hayley Williams intended to hide her…
The New Abnormal sees The Strokes return to a familiar sonic landscape with a newfound lyrical maturity, to somewhat mixed results. The New Abnormal is the…
Lady Gaga Each new release from Lady Gaga following the Fame and Born This Way heyday is more disarming than the last — increasingly structured…
Another in an emerging subgenre of films featuring Tom Hanks in desperate situations, Greyhound is a visually clean, tactically-minded, and workmanlike effort from Aaron Schneider.…
Hamilton barely qualifies as a film, losing much of what makes it a stage success in translation, and its historical revisionism feels much murkier in…
The Ross Brothers’ latest is a uniquely heady, tonally dexterous work that operates at the intersection of documentary and fiction. An official selection of this…