It must be hard being Marshall Bruce Mathers III, or so he’d like you to believe. According to him, and everyone who has defended him…
Alfredo, the latest collaboration between rapper Freddie Gibbs and legendary producer The Alchemist, is an absolutely ferocious album. Although the duo don’t have an extensive…
Four years ago, self-anointed King of the Teens Lil Yachty released the polarizing Lil Boat mixtape, and seemingly overnight (or, one could say, over “One…
Lil Wayne “It has been quite a journey / From my driveway to my front door / It has been quite a journey.” Lil Wayne…
Miss Anthropocene is the type of pop eccentricity that only an artist like Grimes could conceive of. Not since Bjork’s 1997 watershed Homogenic has a weird pop artist…
Translation is an unimaginative record of lazy appropriation and weak production. To put it as eloquently as possible: the Black Eyed Peas are stupid. That’s not…
Jessie Ware’s latest does exactly what pop should do — it innovates and bears beautiful reassurance. Jessie Ware nearly called it quits after 2017’s Glasshouse,…
After Hours still revels in The Weeknd’s familiar hedonistic lyrical content, but also evinces an unexpected artistic progression. 2020For the better part of the last decade,…
Fiona Apple’s Fetch the Bolt Cutters might be her greatest yet: a confrontation of trauma and exhibition of musical excellence. Eight largely reclusive years later and Fiona…
Notes on a Conditional Form is a marathon of an album and the latest evidence of The 1975’s status as a singles band. With Notes…
I Disagree is a ferocious pop album and a defiant, artistic declaration of autonomy. Just who even is Poppy? There are a few floating ideas, vague…
Grimes Not since Bjork’s 1997 watershed Homogenic has a weird pop artist cast a masterpiece in the mold of Miss Anthropocene: a fusion of progressive sonics, compelling…
She Dies Tomorrow is a fever-dreamy reflection of modern existential anxieties. Rodney Ascher’s 2015 documentary The Nightmare follows multiple subjects that have experienced bouts of sleep paralysis,…
Archive is a lame rehash of half a century’s worth of sci-fi tropes. The new futuristic thriller Archive is aptly titled, as it feels like a…
Grace Glowicki shows promise with Tito, but the film is ultimately little more than a strange trifle. Grace Glowicki’s Tito is the kind of strange,…
Atom Egoyan’s latest is a self-serious dud that finds the director trying and failing to recall his once impressive weighty themes. There’s a certain level…
A Girl Missing establishes Kôji Fukada as a strong imagemaker, but the film’s weak script weighs things down. If nothing else, A Girl Missing demonstrates yet again…
Jenny Slate is a gift to the world. The Sunlit Night is not. The world does not deserve Jenny Slate, nor does The Sunlit Night, an inconsequential…
The Rental is a serviceable if predictable thriller, but immediately situates Dave as the better director of the Franco brothers. Dave Franco must have taken a…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or…
Hirokazu Kore-eda feels distinctly uninterested in his own material here, a sentiment sure to be echoed by audiences. Japanese filmmaker Hirokazu Kore-eda has consistently shown an affinity…