The first entry of Rainer Werner Fassbinder’s BRD Trilogy and one of the last titles he made in the 1970s, the decade he’d defined with…
In an age of rapid acceleration and environmental decay, the act of preservation remains a preeminent concern — not only for the ecologist, but also…
For Tim Geraghty and Sarah Halpern, the process of making Monument, a, well, monumental four-and-a-half-hour experimental documentary that’s ostensibly about the diminutive but shockingly consequential…
The opening minutes of Kane Parsons’ directorial debut Backrooms are as good as old-school found footage horror gets. We’re stuck in the claustrophobic POV of…
On November 1 and 2, 2001, then-28-year-old Palestinian filmmaker Kamal Aljafari visited Gaza, and left with about two hours and forty minutes worth of MiniDV…
It’s perhaps too easy to dismiss a film as heavily aestheticized and intentionally non-narrative as Jonathan Rosado’s Matador Bolero for prioritizing style over substance. The…
I will admit it upfront: had I been told that one of my favorite films at Cannes 2026 would be one about a woman in…
“His parents were already in bed and asleep, the clock on the wall struck its uniform beat, the wind whistled by the rattling windows; the…
Cannes seems to have settled into a kind of violent habit: slotting a promising film by a female auteur into its tail end. This year’s…
In the 1960s, the sociologist duo Barney G. Glaser and Anselm L. Strauss noticed a phenomenon quite common in healthcare. What they call “a ritual…
A presupposition of Bruno Dumont’s cinema is that the bare world into which we enter is circumscribed by moral order. This should not be confused…
A ghost story doesn’t always have to manifest in slamming doors and falling objects. A possession might not send your body writhing in manic contortions…
The debut feature from Spanish director Lucía Aleñar Iglesias is a different kind of coming-of-age story, one that finds its young protagonist Cata (Zoe Stein)…
Canadian animator Félix Dufour-Laperrière has described his third and most ambitious feature, film Death Does Not Exist, as a tonal experiment, dropping characters possessed with…
Writer-director Boots Riley serves a vital role in the world of pop filmmaking, and that sentiment is not at all diluted by the fact that…
At the start of Manas, Tielle’s world seems boundless, idyllic. Tielle, short for Marcielle, is a 13-year-old girl played with astounding maturity by Jamilli Correa.…
Ah, another installment in the Times Square chronicles for this critic, and this time, a film truly worthy of such an environment — meaning, it’s…
A noted director of shorts, Greek filmmaker Konstantina Kotzamani makes her feature debut with Titanic Ocean, a purposefully opaque but frustratingly vague coming-of-age story that attempts to…
This past January saw the passing of Ulyana Semyonova, the Latvian basketball great who twice won Olympic gold for the USSR and whose seven-foot frame…
Shana, Lila Pinell’s debut narrative feature, centers on a character who is immediately compelling, yet whose complexities and internal contradictions unspool gradually throughout the film’s…
Talk of generations forgotten is typically regarded as historical fact, whereas dreams about the desiccated self are frequently dismissed as melodramatic outings a dime a…