Given the well-publicized fate of the ostensibly never-to-be-released Coyote vs. Acme, it’s sort of a miracle that there’s a new Looney Tunes movie at all,…
In the opening scene of Who by Fire, Quebecois filmmaker Philippe Lesage’s latest feature, a car pulls over along a highway for a brief rest…
You could argue that it’s extremely ironic that The Electric State, an absolutely dismal movie about humanity learning to love corporate-branded A.I. robots rising up…
Set in the year 2019, An Unfinished Film is a fictional documentary about a film crew that reunites to finish a queer feature from 10…
Empires, as a rule, do not exist in the plural, for each empire conceives of itself as sovereign and total. In practice, this solipsism has…
Depending on who you talk to, Paul W.S. Anderson might be considered a hack who makes demonstrably janky movies based adapted from the lesser artform…
Someone inside one of the UK’s intelligence agencies has stolen a device that could lead to the deaths of hundreds of thousands of people and…
Bruce LaBruce, the more consistent enfant terrible of Canadian cinema, begins his pornographic Teorema reformation, The Visitor, with direct quotation from Enoch Powell’s “Rivers of…
James Ashcroft’s 2021 debut feature, Coming Home in the Dark, was a deeply disturbing exploration of how the powerful wield their authority over others and…
It becomes clear very early on that the new documentary CHAOS: The Manson Murders is going to be largely incoherent. What is unclear is how…
Despite films such as Exotica, The Adjuster, and The Sweet Hereafter capturing the attention of a global audience in the 1990s, Atom Egoyan has never…
There have been many movies about baseball, that most American of sports — it is axiomatic. They can be nostalgic, romantic, or even, increasingly, tech-inflected…
Shula (Susan Chardy) makes an early impression in Rungano Nyoni’s newest film, On Becoming a Guinea Fowl. Driving home from a fancy dinner party, adorned…
Matías Piñeiro is best known for loosely adapting Shakespearean texts via small-scaled, interpersonal dramas: Twelfth Night in Viola; Measure for Measure in Isabella; Love’s Labour’s…
“This must be my punishment,” narrates Mickey Barnes (Robert Pattinson), as he recalls the frog he tortured in a grade school science class. Mickey is…
Thoughtful film curation asks us to consider films in a new light. Alexander Horwath knows this better than most, having served as director of the…
In Oz Perkins’ The Monkey, a mechanical wind-up monkey that plays a drum (but don’t call it a toy) serves as a harbinger of death.…
The title appears like a misnomer. At a tight 67 minutes, and with such glorious irreverence embedded within its form, Broken Rage doesn’t even need…
Discerning between the annals and chronicles of yesteryear on one hand, and modern records of history on the other, the historian Hayden White posited a…
“How would you define Black genius?” So comes the question from Questlove at the top of his documentary SLY LIVES!, posed to a remarkable assortment…
Carl Fry and Maxwell Nalevansky’s debut feature Rats! is a bit impossible to describe. There’s a story in there, somewhere, involving nuclear weapons, missing “hans”…