Billie Eilish “Do you know me?” Billie Eilish asks listeners at about the half-way point on her ironically-titled sophomore release, Happier Than Ever. She sounds…
Joint The debut feature of New York-based filmmaker Oudai Kojima, Joint takes the structure of a rise-and-fall gangster picture and tries to imbue it with…
All the Moons Though it at first looks like a typical, if particularly handsome, period vampire film, Igor Legarreta’s All the Moons soon distinguishes itself…
G Herbo On his latest album 25, G Herbo is attempting to pivot into something greater than his current self — that is, a successful…
Luzifer A former student of Michael Haneke’s, now operating under the Ulrich Seidl Filmproduktion banner, Peter Brunner seems primed (and positioned) to be Austria’s next…
Limbo Photography is the first sign that Soi Cheang’s Limbo is different from the director’s past work. Though his return to Hong Kong was bound…
Pop Smoke When was the first time you heard Canarsie rapper Pop Smoke’s hulking, husky battle cry of a voice? It was probably over the…
Back to the Wharf Li Xiaofeng’s Back to the Wharf begins with a tragic accident that escalates, shockingly, to murder. After high school student Song…
Beckett On paper, Beckett would seem to hold plenty of promise. Directed by Ferdinando Cito Filomarino and produced by his ex, Luca Guadagnino, the film…
Bull There’s no shortage of revenge pictures out there; at this point, it’s such a well-trod genre that it’s gone through its own classical-to-revisionist-and-back-again cycle.…
The Kid LAROI The story of The Kid LAROI thus far, for those not in the know (which, to be fair, would be the majority…
Raging Fire When credits roll on Raging Fire they are accompanied by behind-the-scenes footage of Benny Chan at work directing the film. It’s a warm…
Junk Head A stop-motion animated epic over seven years in the making, Junk Head is the work of one obsessively dedicated man, Takahide Hori. An…
Fantasia Fest, one of genre cinephiles’ favorite fests, is back in virtual form this year, kicking off today and celebrating its 25th birthday with a…
Haruhara San’s Recorder The winner of FIDMarseille International Competition, as well as the recipient of its Best Actress award in that category, Haruhara San’s Recorder…
Outside Noise Ted Fendt’s body of work is at least in part characterized by its very purposeful progression. His films are all dryly comedic character…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or…
Drive My Car Ryusuke Hamaguchi has fast become one of the more dependable filmmaker’s regularly working the international festival circuit, ever since he broke big…
Deception A long pursued passion project, Arnaud Desplechin’s latest picture adapts Philip Roth’s 1990 slippery, erotic novel, Deception, into cinematic form for the first time.…
Tyler, the Creator Let’s first address what Call Me If You Get Lost isn’t. It isn’t a mixtape — though the instant shouting from DJ…
Onoda, 10,000 Nights in the Jungle Every pronouncement that points to a Second Coming ruptures the human sense of linear temporal experience, pulling one out…