ESSAYS

A COLLISION OF TICKS: MIKE LEIGH’S HARD TRUTHS
FEATURE BY:
Milo Garner

A SOCIETY SHAPED MONSTER: THE TEXAS CHAIN SAW MASSACRE AT 50
FEATURE BY: Fred Barrett

UNIMPEACHABLE, DARING, PERFECTLY WEIRD: THE CASE FOR BRAD DOURIF
FEATURE BY: Greg Cwik

TRANSFORMED SPACES: OF CRIME AND THE CITY
FEATURE BY: Anand Sudha

TUESDAY, THE CROW, AND THE BIRDMAN OF LASCAUX
FEATURE BY: Milo Garner


INTERVIEWS

A SOAP OPERA IN THE FOREST: AN INTERVIEW WITH GUY MADDIN, EVAN JOHNSON, & GALEN JOHNSON
FEATURE BY: Conor Truax

THE SPIRIT OF INDEPENDENT FILMMAKING: AN INTERVIEW WITH JINJO MYUNG
FEATURE BY: Alex Lei


FESTIVAL COVERAGE

AFI FEST

BFI LONDON FILM FESTIVAL

NEW/NEXT FILM FESTIVAL

NEW YORK FILM FESTIVALYEARNING
DIRECTOR: Mikio Naruse — WRITTEN BY: Jake Tropila

THE HAUNTING
DIRECTOR: Robert Wise — WRITTEN BY: Robert Stinner

A STAR IS BORN
DIRECTOR: George Cukor — WRITTEN BY: Andrew Reichel

PRIMER
DIRECTOR: Shane Carruth — WRITTEN BY: Jake Tropila

SEPTEMBER 30 – OCTOBER 4

JOKER: FOLIE À DEUX
DIRECTOR: Todd Phillips — REVIEW BY: Matt Lynch

SALEM’S LOT
DIRECTOR: Gary Dauberman — REVIEW BY: Matt Lynch

DAAAAAALÍ
DIRECTOR: Quentin Dupieux — REVIEW BY: Morris Yang

THE OUTRUN
DIRECTOR: Nora Fingscheidt — REVIEW BY: Clara Cuccaro

V/H/S/BEYOND
DIRECTOR: Various Directors — REVIEW BY: Alex Broadwell

PLASTIC
DIRECTOR: Daisuke Miyazaki — REVIEW BY: Fred Barrett

HOUSE OF SPOILS
DIRECTOR: Bridget Savage Cole & Danielle Krudy — REVIEW BY: Emily DuGranrut

THINGS WILL BE DIFFERENT
DIRECTOR: Michael Felker — REVIEW BY: Jake Tropila

BLINK
DIRECTOR: Daniel Roher & Edmund Stenson — REVIEW BY: Emily DuGranrut


OCTOBER 7 – OCTOBER 11

TERRIFIER 3
DIRECTOR: Damien Leone — REVIEW BY: Jake Tropila

WE LIVE IN TIME
DIRECTOR: John Crowley — REVIEW BY: Conor Truax

PIECE BY PIECE
DIRECTOR: Morgan Neville — REVIEW BY: Andrew Dignan

THE APPRENTICE
DIRECTOR: Ali Abbasi — REVIEW BY: Andrew Dignan

UPRISING
DIRECTOR: Kim Sang-man — REVIEW BY: Joshua Polanski

CADDO LAKE
DIRECTOR: Celine Held & Logan George — REVIEW BY: Alex Broadwell

HELLBOY: THE CROOKED MAN
DIRECTOR: Brian Taylor — REVIEW BY: Matt Lynch

THE SILENT HOUR
DIRECTOR: Brad Anderson — REVIEW BY: Daniel Gorman


OCTOBER 14 – OCTOBER 18

ANORA
DIRECTOR: Sean Baker — REVIEW BY: Andrew Dignan

RUMOURS
DIRECTOR: Guy Maddin, Galen Johnson, & Evan Johnson — REVIEW BY: Michael Sicinski

UNION
DIRECTOR: Stephen Maing & Brett Story — REVIEW BY: Michael Sicinski

EXHIBITING FORGIVENESS
DIRECTOR: Titus Kaphar — REVIEW BY: Luke Gorham

SMILE 2
DIRECTOR: Parker Finn — REVIEW BY: Alexander Mooney

FAIRYTALE
DIRECTOR: Alexander Sokurov — REVIEW BY: Ayeen Forootan

WOMAN OF THE YEAR
DIRECTOR: Anna Kendrick — REVIEW BY: Andrew Dignan

THE SHADOW STRAYS
DIRECTOR: Timo Tjahjanto — REVIEW BY: Sean Gilman

THE LINE
DIRECTOR: Ethan Berger — REVIEW BY: Morris Yang

MADS
DIRECTOR: David Moreau — REVIEW BY: Matt Lynch

YINTAH
DIRECTOR: Jennifer Wickham, Brenda Michell, & Michael Toledano — REVIEW BY: Zachary Goldkind

NOCTURNES
DIRECTOR: Anirban Dutta & Anupama Srinivasan — REVIEW BY: Alexander Mooney

GHOST GAME
DIRECTOR: Jill Gevargizian — REVIEW BY: Jake Tropila


OCTOBER 21 – OCTOBER 25

DAHOMEY
DIRECTOR: Mati Diop — REVIEW BY: Michael Sicinski

CONCLAVE
DIRECTOR: Edward Berger — REVIEW BY: Sam Moore

VENOM: THE LAST DANCE
DIRECTOR: Kelly Marcel — REVIEW BY: Matt Lynch

MEMOIR OF A SNAIL
DIRECTOR: Adam Elliot — REVIEW BY: Dhruv Goyal

LA COCINA
DIRECTOR: Alonso Ruizpalacios — REVIEW BY: Alexander Mooney

RAP WORLD
DIRECTOR: Conner O’Malley & Danny Scharar — REVIEW BY: Joshua Peinado

TWITTERING SOUL
DIRECTOR: Deimantas Narkevičius — REVIEW BY: Clara Cuccaro

MY NAME IS ALFRED HITCHCOCK
DIRECTOR: Mark Cousins — REVIEW BY: Daniel Gorman

BLACK BOX DIARIES
DIRECTOR: E.L. Katz — REVIEW BY: Andrew Dignan

MAGPIE
DIRECTOR: Sam Yates — REVIEW BY: Joshua Polanski

ADRIANNE AND THE CASTLE
DIRECTOR: Shannon Walsh — REVIEW BY: Emily DuGranrut

DON’T MOVE
DIRECTOR: Adam Schindler & Brian Netto — REVIEW BY: Matt Lynch

FAMILY PACK
DIRECTOR: Francois Uzan — REVIEW BY: Luke Gorham

THE DEVIL’S CLIMB
DIRECTOR: Renan Öztürk — REVIEW BY: Emily DuGranrut

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